\r\nJean-Stéphane Bron (born 1969 in Lausanne) is a graduate of the École Cantonale d’Art de Lausanne (ECAL). His documentaries address contemporary issues such as the crisis of democracy, the economic crisis, and the rise of populism, using dramatic techniques similar to those found in fiction. Among them, *Connu de nos services* (1997) addresses the scandal surrounding the political dossiers compiled by the Federal Police in the 1970s and 1980s. *Mais im Bundeshuus / Le Génie helvétique* (2003), one of Swiss cinema’s major box-office hits, follows the work of a parliamentary commission tasked with drafting a law on genetic engineering. *The Blocher Experiment* (2013) sparked intense controversy. *Cleveland vs. Wall Street* (2010), about the subprime mortgage crisis, was presented at the Cannes Film Festival (Directors’ Fortnight) and nominated for a César Award in France. His film *The Paris Opera* (2017) was subsequently widely distributed around the world. With this film, which drew more than 200,000 viewers to theaters, Jean-Stéphane Bron won the Swiss Film Award in the Best Documentary category for the third time in 2018. In 2021, Jean-Stéphane Bron released *Cinq nouvelles du cerveau*, a feature-length film that explores various mind-boggling questions related to advances in the fields of neuroscience and artificial intelligence. Between December 2021 and May 2022, he filmed the series *Ma rue de l’Ale* for RTS on his own street in Lausanne; the series was a huge hit with audiences.
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\r\nExploring reality through the eyes of those who shape it. Jean-Stéphane Bron’s unique art lies not merely in presenting the facts, but in understanding both the people involved and the systems within which they operate—systems that shape their actions.
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\r\nPartner: Visions du réel
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