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SUMMARY:Research Seminar : RESONANCES / ALICE
DTSTART:20230615T140000
DTEND:20230615T180000
DTSTAMP:20260509T101007Z
UID:6e809116c6ee462b7bb232964624646caed02b1568e1f34fa7d8181e
CATEGORIES:Conferences - Seminars
DESCRIPTION:Joseph Baan Mathilde Chenin\n[ALICE] Research Seminar : RESONA
 NCES\n14:00 - 18:00\nStudio 2\, Rue du Valentin 35\, Lausanne \n\nWhat do
 es it mean to get attuned with a place? What forms of intimacies and care 
 does it unravel? \nIf resonance is defined as a specific vibratory qualit
 y\, as an echo of attachment between a space and its inhabitants\, what ar
 e the textures of these vibratory qualities? To which extent can collectiv
 e practices become levers of re-attunement? What are the roles of building
  in these processes?\nThis ALICE’s Research seminar Resonances will expl
 ore affective dimensions of spaces and landscapes to understand how attune
 ment processes are essential practices to navigate in contemporary uncerta
 inties and discrepancies. We propose to give specific attention to how the
 se resonances are produced through commonings and everyday habits and what
  traces they leave within our milieu and us. Through a lecture from Mathil
 de Chenin\, a performance proposed by Jo Baan and discussions\, we will ad
 dress the micropolitics of vibratory qualities and the ways in which traci
 ng\, drawing\, and building participate in strengthening vibratory solidar
 ities with our milieus and beyond.\nKeywords : Vibrative qualities\, attun
 ement\, script\, collective practices\, singularities\n\n14:00 - Studio 2\
 nIntroduction\nTiphaine Abenia\nJulien Lafontaine Carboni\n\n14:30 - Studi
 o 2\nShifting Singularities\nPerformance Workshop\nJoseph Baan\nIn this pe
 rformance workshop we will investigate how to compose the common in singul
 arity. In this case\, singularity is understood as the self\, with all the
  ambiguous\, disorganized\, messy\, and sometimes contradicting parts that
  make up the self. At the heart of this investigation lies how to navigate
  singularity within groupness\, and how to find resonances in decentral\, 
 perhaps even conflictual encounters. Ambiguous\, conflicting moments and p
 resences constantly occur within the self and in relation. Rather than loo
 king for common ground\, we will treat such conflicting moments as a place
  where resonance can emerge. Through a series of scores and movement exerc
 ises\, we will consider what it means to affect and to be affected\; what 
 it means to inconvenience and to be inconvenienced\; and how the self migh
 t shift in relation. Please wear comfortable clothes that allow you to mov
 e freely.\n\n\n16:30 - Studio 2\nPresence\, resonance\, somatic. Vibratory
  qualities of commonality in the plural\nLecture\nMathilde Chenin\nThe pre
 sentation will look back at the investigations I carried out during my doc
 toral research with two artists' collectives (La Déviation\, in Marseille
 \, and Bermuda\, in Sergy)\, one of whose distinctive features is that the
 y spend most of their time materially fabricating their shared living and 
 working space. In this respect\, we will focus on the one hand on their ge
 stures: how do they build those places\, even though they're not carpenter
 s\, plasterers\, electricians\, tilers\, etc.\, and what can we learn from
  the heterodox and idiosyncratic way they use the construction techniques?
  On the other hand\, we will unpack the ordeals and tribulations associate
 d with this commitment to the collective construction effort: how do the g
 roups cope with the disputes that emerge\, and how do they continue to hol
 d together? Equipped with the epistemological tools of pragmatic sociology
 \, we'll be looking at how making together\, because it brings bodies not 
 only into presence\, but literally into resonance\, opens the field to a r
 egime of engagement in action that is\, strictly speaking\, somatic\, defe
 ating usual and liberal types of resolutions\, and giving way to the compo
 sition of a commonality based on the vibratory qualities of co-presence.\n
 \n\nContributers :\nJosephine Baan (also goes by the names Joseph\, Jo\, o
 r any variation thereof) engages in art\, education and collaboration as w
 ays to forge creative resurgence. They’re interested in the complexities
  of collectivity and in the possibility of establishing a solidarity that 
 does not homogenise\, but affirms difference. Josephine performs with thei
 r body and voice and makes installations\, props\, scripts and choreograph
 ies that explore the spaces and relationships between the flesh and the wo
 rd\, human and non-human bodies\, and change and preservation. Materially 
 and performatively thinking between things\, beings and situations\, they 
 consciously switch perspective to influence roles and readings of power an
 d control in relation to affection and gestures of care. They use speculat
 ive fiction and performance as tools to invade existing narratives that na
 turalize normative states of sex\, gender\, race\, ecology\, and the hiera
 rchies between them. Their practice is closely linked to their work as an 
 educator\, which is influenced by radical pedagogy and non-hierarchical co
 llaborative methods.\n\nMathilde Chénin is a visual artist. Her work emph
 asizes versions over finished forms\, and privileges collaboration as an i
 mportant aspect of her research. The collective space of being and working
  together is explored through an idea of expanded writing practices naviga
 ting between bodies\, techniques\, and language. Her work is an elaboratio
 n of different kinds of systems\, immaterial and utopian architectures gen
 ealogies\, scores and other collective large objects. In 2016\, she is the
  co-founder of the project bermuda — a self-built site of shared studios
  for artistic production and research (Sergy\, FR) — alongside with arti
 sts Maxime Bondu and Guillaume Robert\, curator Bénédicte Le Pimpec\, et
  computer programmer Julien Griffit. In 2022\, she defended a PhD in socio
 logy. Following the collective trajectory of two places where artists both
  live and work\, the research focused on forms of commonalities\, which co
 mpose at the crossroad between dwelling and creating\, two social activiti
 es that are told to be resistant to extended forms of communities (HEAD—
 Genève\; Laboratoire de Sociologie Urbaine\, EPFL Lausanne).\n\nwww.mathi
 ldechenin.org\nwww.bermuda.pm\n\nEveryone is welcome to join ! Let us know
  with an email if you wish to participate.\n 
LOCATION:Studio 2
STATUS:CONFIRMED
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