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SUMMARY:Heritage\, Creativity and Innovation Nexus
DTSTART:20211104T090000
DTEND:20211106T160000
DTSTAMP:20260509T115656Z
UID:d53d6437902ae6681860de3a47a251a3cdb3b5fbf5a7ce46508192d6
CATEGORIES:Conferences - Seminars
DESCRIPTION:Béla Kapossy\, Florence Graezer Bideau\, Peter Bille Larse
 n\, Michael Herzfeld\, Sarah Kenderdine\, Harriet Deacon\, Luca Zan\,
  Chiara Bortolotto\, Trevor Marchand\, Ave Paulus\, Katriina Siivonen\
 , Alain Dufaux\, David Littlefield and Michel Rautenberg\nThis interna
 tional workshop aims to spearhead and consolidate thinking around the nexu
 s of heritage\, creativity and innovation. It builds on recent trends as w
 ell as enthusiasm around a virtual panel organized at the bi-annual Critic
 al Heritage Studies Congress in August\, 2020 at the University College Lo
 ndon. In response\, this academic event seeks to pave the way for a substa
 ntive interdisciplinary dialogue including social\, humanities and technic
 al sciences and further reflection.\n\n\nMichael Herzfeld\, Harvard Univer
 sity\, Keynote Crafting the Artisan: Creativity as Material Performance an
 d Social Challenge\n\nDescriptions of heritage\, guidance and norms rarely
  denote the central role that innovation and creativity play in conservati
 on. Emphasis in narrative terms tends to focus on connections to the past\
 , rehearsing long-standing dichotomies between authentic heritage and chan
 ge. Many times\, creativity and the ensuing transformations of both rural 
 and urban spaces tend to remain hidden behind exposed artefacts and offici
 al representations\, silenced by authorized heritage discourse or simply r
 elegated as vernacular practices. Ranging from massive infrastructure cons
 truction\, speculative architecture and total material transformations of 
 heritage sites to micro-level restoration and beautification techniques by
  local craftsmen\, innovation clearly takes different forms\, values and p
 ositionalities in the context of heritage. Such phenomena prompt the need 
 for further theoretical reflection. Furthermore\, EPFL as hub for heritage
 \, technology and innovation offers an atypical yet productive environment
  to deepen this conversation.\n\nIn summary\, this academic event seeks to
  shed light on the diversity of innovation and creativity found in the her
 itage field at different levels\, implemented by multiple actors and their
  significance for practices. Presentations include both empirical case-stu
 dies and theoretical perspectives\, which will form part of a special issu
 e of a peer-reviewed open-access journal dedicated to this topic.\n-------
 --------------\nProgram:\n> Download the pdf program\n\n	Day 1\, November 
 4\, 2021 - Room AAC 108\n	9:00 - 9:10: Welcome coffee and opening remarks 
 by Béla Kapossy\, Dean of the College of Humanities\, EPFL\n	9:10 - 9:40
 : Introductory remarks: reframing heritage\, creativity and innovation\, F
 lorence Graezer Bideau and Peter Bille Larsen\, CDH\, EPFL   \n	9:45 -1
 0:45: Michael Herzfeld\, Harvard University\, Keynote Crafting the Artisan
 : Creativity as Material Performance and Social Challenge\n	10:45 - 11:00:
  Coffee break\n	11:00 ­- 12:30: Panel 1: Creative heritage techniques rev
 isited\n	Sarah Kenderdine\, EPFL: ‘Insurgent acts of translation’: exp
 eriments from the archive\n	Harriet Deacon\, Coventry University: Rethinki
 ng concepts of authenticity: repertoire and innovation in the HIPAMS proje
 ct (heritage-sensitive intellectual property and marketing strategies)\n	1
 3:00 - 14:00: Lunch\n	14:00 - 15:30: Panel 2: Governance creativity and in
 novation\n	Luca Zan\, University of Bologna (Economist): Cultural Heritage
  and Identity building in current China. Stateholder creativity and admini
 strative legacy\n	Chiara Bortolotto\, EHESS\, Paris (Anthropology): Master
 ing the future through Intangible Cultural Heritage: sustainability\, chan
 ge and temporality disruptions\n	15:30 - 16:30: Guided visit to Deep Fakes
  exhibition by Sarah Kenderdine (eM+)\n	16:30 - 17:30: Roundtable discussi
 on on theoretical paper by Graezer Bideau and Larsen\n	Free time\n	19:30: 
 Dinner\n	 \n	Day 2\, November 5\, 2021 - Room BC 420\n	9:00 - 10:00: Trev
 or Marchand\, SOAS\, UK (Social Anthropology)\, Keynote 2 Recovery & Recon
 struction of Architectural Heritage: toward a people-centred approach\n	10
 :00 - 10:15: Coffee break\n	10.15 - 12:15: Panel 3 : Rethinking creativity
 \, sustainability and landscapes\n	Ave Paulus\, University of Tartu\, Esto
 nia (Semiology): Hot Heritage of the Cold War - Translating Controversial 
 Soviet Occupation Heritage on the Coasts of Estonia into Creative Futures\
 n	Katriina Siivonen\, Finland Futures Research Centre\, Turku (Futures Stu
 dies): Heritage Futures for resilience and sustainability transformation 
   12:15 - 13:30: Introduction to the Montreux Jazz Project by Alain Dufau
 x (Cultural Heritage and Innovation Center)\n	13:30 - 15:00: Panel 4: Urba
 n heritage imaginaries\, innovating public space and creativity\n	David Li
 ttlefield\, University of West of England (Architecture and Design): Creat
 ive practice and narrative: representational techniques and the voice of h
 istoric surfaces\n	Michel Rautenberg\, University of St. Etienne (Sociolog
 y) : Photographic nostalgia\, historical comics and posters in the heritag
 e imaginary of a former French industrial city\, Saint-Etienne\n	15:00 - 1
 5:15: Coffee break\n	15:15 - 16:00: Closing remarks\n	16:30 - 18:30: PhD s
 tudents/poster presentations and drinks (BC420)\n	19:00: Dinner\n	 \n	Day
  3\, November 6\, 2021 - Room BC 420\n	Only for PhD students from EPFL and
  Swiss universities\n	9:00 - 16:00: PhD School roundtable presentation fol
 lowed by a discussion with Michael Herzfeld\, Peter Larsen and Florence Gr
 aezer Bideau\n
LOCATION:AAC 1 08 https://plan.epfl.ch/?room==AAC%201%2008
STATUS:CONFIRMED
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