retrieve:
Return the details about the given Event id.

list:
List all Event objects.

GET /api/v1/events/?format=api&offset=250&ordering=event__end_time
HTTP 200 OK
Allow: GET, HEAD, OPTIONS
Content-Type: application/json
Vary: Accept

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            "id": 72347,
            "title": "School Lecture Series: Thomas Friberg + Sophie Piticco, pool Architektur / EPFL Architecture",
            "slug": "school-lecture-series-thomas-friberg-sophie-piticc",
            "event_url": "https://memento.epfl.ch/event/school-lecture-series-thomas-friberg-sophie-piticc",
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            "start_date": "2026-10-27",
            "end_date": "2026-10-27",
            "start_time": "18:30:00",
            "end_time": "20:00:00",
            "description": "<strong>Building for Disassembly<br>\r\nTemporary Sports Halls, Huts and a Hotel</strong><br>\r\nGrowing student numbers and the need to renovate numerous school facilities prompted the Canton of Zurich to seek a temporary solution for sports facilities. Each building is intended to remain at a given location between three to fifteen years, until it is either relocated or stored for future reassembly. pool Architektur responded by designing a prefabricated timber construction system that enables a variety of spatial configurations and appearances, allowing for careful integration into the surrounding environment. Other projects such as the room-within-a-room installation for “El Gato Muerto” or the temporary hotel “Momentum” have evolved as a result of pool’s building for disassembly.<br>\r\n<br>\r\n<strong>Thomas Friberg + Sophie Piticco, pool Architektur</strong><br>\r\npool Architektur evolved from a discussion platform for debates on architecture and urban planning and began its practical work as a collective in 1998. The office and its form are understood as a work in progress with regard to an ever-changing profession. The office has won numerous competitions and is primarily active in urban planning at different scales as well as residential, infrastructure and public building construction. Over the past decades, ideas and solutions have changed, as have names and faces, because diversity and change are at the heart of pool Architektur’s identity. <br>\r\n<br>\r\nThomas Friberg studied architecture at ETH Zurich. After graduating, he worked at ETH Studio Basel, David Chipperfield Architects, joining pool in 2008. In 2018 he was admitted as a new partner. <br>\r\n<br>\r\nSophie Piticco studied architecture at EPF Lausanne and ETH Zurich. After internships in Munich and Helsinki, she joined pool Architektur after graduating in 2017. Since 2023 she is an associate at the firm.<br>\r\n<br>\r\n<strong>Part of School Lecture Series, Autumn 2026, Learning Vol.1</strong><br>\r\nWe are told that learning is no longer confined to the school or the university, but it has become a continuous process that involves the totality of life. Yet in accepting this reality, we take for granted several questions that loom large within the contemporary idea of learning. In a time when technology and information are ubiquitous, does it still make sense that for learning to happen or be confined within a place? Is learning still an asymmetrical relationship where there are teachers and a student? And above all, is learning accessible, or has it become too expensive a commodity? In this lecture series, we’ll attempt to answer these questions by investigating learning on different levels such as technology, construction systems, educational spaces, and above all, making architecture. Indeed, the question that is more than anything else crucial to us is whether architecture is still a place of learning and not only of empowering those who have capital to build it. We will look at schools, drawings, robots, and measuring devices. We will ponder whether these things are only ‘tools’ to achieve a result or can still be vital places for learning. <br>\r\n<br>\r\n<strong>Recordings available on YouTube</strong><br>\r\n@epflarchitectureschool<br>\r\n<br>\r\n<strong>Graphic Design</strong><br>\r\nRoman Karrer &amp; Sandi Gazic",
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            "creation_date": "2026-08-14T16:40:18",
            "last_modification_date": "2026-08-17T13:17:23",
            "link_label": "Poster School Lecture Series Fall 2026",
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        {
            "id": 72348,
            "title": "School Lecture Series: NP2F architectes / EPFL Architecture",
            "slug": "school-lecture-series-np2f-architectes-epfl-archit",
            "event_url": "https://memento.epfl.ch/event/school-lecture-series-np2f-architectes-epfl-archit",
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            "start_date": "2026-11-10",
            "end_date": "2026-11-10",
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            "description": "<strong>IMVT – Supporter de la Ville</strong><br>\r\nThe Mediterranean Institute for the City and Territories, designed in collaboration with Marion Bernard, Point Suprem, Jacques Lucan and Atelier Roberta, is a unifying entity rather than the simple sum of three existing schools (architecture, urban planning, and landscape studies). The Institute’s purpose is to physically foster relationships, exchanges, and collaborations between the three institutions and their immediate as well as broader environment. The architecture of the Institute is therefore intentionally open to the city. From Porte d’Aix Square, this small campus stands out, day and night, as a welcoming presence.<br>\r\n<br>\r\n<strong>NP2F architectes</strong><br>\r\nNP2F is an architecture firm founded in 2009 by François Chas, Nicolas Guérin, Fabrice Long, and Paul Maitre Devallon. Today, it brings together around twenty team members split between Marseille and Paris, and works in various cities across France and abroad. The projects NP2F engages in are both architectural and urban, and its areas of expertise include sports facilities, cultural and educational buildings, leisure and dining venues, and public space.<br>\r\n<br>\r\n<strong>Part of School Lecture Series, Autumn 2026, Learning Vol.1</strong><br>\r\nWe are told that learning is no longer confined to the school or the university, but it has become a continuous process that involves the totality of life. Yet in accepting this reality, we take for granted several questions that loom large within the contemporary idea of learning. In a time when technology and information are ubiquitous, does it still make sense that for learning to happen or be confined within a place? Is learning still an asymmetrical relationship where there are teachers and a student? And above all, is learning accessible, or has it become too expensive a commodity? In this lecture series, we’ll attempt to answer these questions by investigating learning on different levels such as technology, construction systems, educational spaces, and above all, making architecture. Indeed, the question that is more than anything else crucial to us is whether architecture is still a place of learning and not only of empowering those who have capital to build it. We will look at schools, drawings, robots, and measuring devices. We will ponder whether these things are only ‘tools’ to achieve a result or can still be vital places for learning. <br>\r\n<br>\r\n<strong>Recordings available on YouTube</strong><br>\r\n@epflarchitectureschool<br>\r\n<br>\r\n<strong>Graphic Design</strong><br>\r\nRoman Karrer &amp; Sandi Gazic",
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            "creation_date": "2026-08-14T16:43:45",
            "last_modification_date": "2026-08-17T13:18:51",
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        {
            "id": 72349,
            "title": "School Lecture Series: Paolo Tombesi / EPFL Architecture",
            "slug": "school-lecture-series-paolo-tombesi-epfl-architect",
            "event_url": "https://memento.epfl.ch/event/school-lecture-series-paolo-tombesi-epfl-architect",
            "visual_url": "https://memento.epfl.ch/image/33609/200x112.jpg",
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            "lang": "en",
            "start_date": "2026-11-24",
            "end_date": "2026-11-24",
            "start_time": "18:30:00",
            "end_time": "20:00:00",
            "description": "<strong>Exhibtion Opening Lecture</strong><br>\r\nThe extraction of value – Measurements, materials and craft<br>\r\n25.11.2026-24.04.2027<br>\r\nProduced in collaboration with the FAR<br>\r\n<br>\r\n<strong>The extraction of value – Measurements, materials and craft</strong><br>\r\nWhy and how do we take measurements across building? Does our professional identity determine our needs and methods? By comparing the measuring traditions of different actors, the lecture will clarify objectives and characteristics of the ruling tools in use. The idea is to show how measuring has always responded to multiple instrumental ideas of accuracy, which have in turn affected the production of information and the organization of work.<br>\r\n<br>\r\n<strong>Paolo Tombesi</strong><br>\r\nAn architect by training and a collector by nature, Paolo Tombesi has a long-nurtured interest in the relationship between the intellectual dimension of building and the socio-technical aspects of its construction. Several decades ago, upon the completion of a PhD on the distribution of technical knowledge in building, he started to collect rulers – a compulsion maintained while working at EPFL as professor of construction and architecture since 2016. Between 2017 and 2020, he directed the university’s Institute of Architecture and the City. Prior to his appointment in Lausanne, he held the Chair in Construction at Melbourne University. <br>\r\n<br>\r\n<strong>Part of School Lecture Series, Autumn 2026, Learning Vol.1</strong><br>\r\nWe are told that learning is no longer confined to the school or the university, but it has become a continuous process that involves the totality of life. Yet in accepting this reality, we take for granted several questions that loom large within the contemporary idea of learning. In a time when technology and information are ubiquitous, does it still make sense that for learning to happen or be confined within a place? Is learning still an asymmetrical relationship where there are teachers and a student? And above all, is learning accessible, or has it become too expensive a commodity? In this lecture series, we’ll attempt to answer these questions by investigating learning on different levels such as technology, construction systems, educational spaces, and above all, making architecture. Indeed, the question that is more than anything else crucial to us is whether architecture is still a place of learning and not only of empowering those who have capital to build it. We will look at schools, drawings, robots, and measuring devices. We will ponder whether these things are only ‘tools’ to achieve a result or can still be vital places for learning. <br>\r\n<br>\r\n<strong>Recordings available on YouTube</strong><br>\r\n@epflarchitectureschool<br>\r\n<br>\r\n<strong>Graphic Design</strong><br>\r\nRoman Karrer &amp; Sandi Gazic",
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            "creation_date": "2026-08-14T16:47:31",
            "last_modification_date": "2026-08-17T13:20:45",
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            "canceled": "False",
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            "place_and_room": "Foyer SG",
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            "speaker": "Paolo Tombesi",
            "organizer": "<a href=\"http://[email protected]\" target=\"_blank\">EPFL Architecture</a>",
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        {
            "id": 72499,
            "title": "Musical Composition: Playing with the Verbier Festival Archives",
            "slug": "musical-composition-playing-with-the-verbier-festi",
            "event_url": "https://memento.epfl.ch/event/musical-composition-playing-with-the-verbier-festi",
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            "start_date": "2026-10-10",
            "end_date": "2026-10-10",
            "start_time": "16:00:00",
            "end_time": "20:00:00",
            "description": "<p>Thanks to a donation from the Claude Latour Foundation, the Pôle Culture (VPI) is organizing a master class followed by a public concert based on the Verbier Festival archives, which are being digitized at <a href=\"http://www.epfl.ch/research/domains/centre-innovation-patrimoines-culturels/\">EPFL by the EPFL Cultural Heritage &amp; Conservation Platform (CHC)</a>.<br>\r\n<br>\r\nDuring the masterclass, the selected students are invited to create a musical piece lasting no more than 5 minutes in the style, aesthetic, and genre of their choice (jazz, rap, rock, metal, classical, etc.). At the end of the day, the pieces will be presented to the public, accompanied by comments from a panel of experts. <br>\r\n<br>\r\n<strong>PROGRAM:</strong>\r\n</p><ul>\r\n\t<li><strong>10:00–16:00: Masterclass</strong> (<a href=\"https://forms.cloud.microsoft/e/A0FMYfPjg1\">registration required</a>)<br>\r\n\t </li>\r\n\t<li><strong>16:00–16:15: Welcome for the audience</strong></li>\r\n\t<li>16:15–17:45: Listening to the compositions with commentary from experts</li>\r\n\t<li>17:45–18:15: Submit a music sample of your composition (max. 5 min, in MP3 format)</li>\r\n\t<li><strong>18:30: Aperitif with the audience</strong> (<a href=\"http://forms.cloud.microsoft/e/z8TTfURvwX\">registration required</a>)</li>\r\n</ul>\r\n---<br>\r\n<strong>MASTERCLASS:</strong><br>\r\nThe Verbier Festival is opening its archives and making audio tracks from classical music concerts available. Participants will be able to transform, reinterpret, and reinvent these tracks to create a personal, original 5-minute piece in any musical style.<br>\r\n<br>\r\nThroughout the process, four experts will guide the participants, sharing their advice and helping each person bring their project to life.<br>\r\n<br>\r\n<strong>The Experts:</strong><br>\r\n<a href=\"http://people.epfl.ch/alain.dufaux\">Alain Dufaux</a>, Director of the EPFL CHC Platform—Cultural Heritage &amp; Conservation<br>\r\n<a href=\"https://edpub.unil.ch/interpub/noauth/php/Un/UnPers.php?PerNum=64542&amp;LanCode=37\">Constance Frei</a>, musicologist, professor at UNIL/EPFL<br>\r\n<a href=\"http://hem.hesge.ch/la-hem/alumniae/portrait-alumniae/charlotte-graber-musicologue-bibliothecaire\">Charlotte Graber</a>, musicologist at HEM, Geneva <br>\r\n<a href=\"http://verbierfestival.com/musician/mcholm-stephen/\">Stephen McHolm</a>, Director of the Verbier Festival Academy <br>\r\n<br>\r\n<strong>Practical Information:</strong>\r\n\r\n<ul>\r\n\t<li>Open to a maximum of 6 EPFL students</li>\r\n\t<li>Saturday, October 10, from 10 a.m. to 8 p.m. at the Montreux Jazz Café</li>\r\n\t<li>Prerequisites: Submit a music sample of your composition (max. 5 min, in MP3 format)</li>\r\n\t<li>Technical requirements: bring your own computer and headphones</li>\r\n</ul>\r\n<a href=\"https://forms.cloud.microsoft/e/A0FMYfPjg1\"><strong>&gt;&gt;&gt; Register for the Masterclass</strong></a> (deadline: October 5, at noon)<br>\r\n<br>\r\n---<br>\r\n<strong>EPFL CHC and the Verbier Festival:</strong><br>\r\nThe EPFL Cultural Heritage Conservation Platform (CHC) was established at EPFL in 2010 under the name “Metamedia Center.” For the past 16 years, it has pursued a dual mission: to digitize and preserve audiovisual collections and heritage of major significance in Switzerland and around the world, and to enrich and bring them to life through research and innovation projects conducted in EPFL’s laboratories, startups, and in collaboration with EPFL partners. The collections thus assembled become true research infrastructures: they provide a unique resource for education and research, accessible to students as well as to innovation communities at EPFL and around the world.<br>\r\n<br>\r\nIt was with this goal in mind that EPFL and the <a href=\"http://verbierfestival.com/\">Verbier Festival</a> launched the Verbier Festival Collection project in 2021. The project aims to preserve and promote the festival’s heritage, with the goal of rekindling younger generations’ interest in classical music.<br>\r\n<br>\r\nA pioneer since 1994, the Verbier Festival is the first festival in the world to have recorded all of its concerts. This exceptional collection now includes 3,000 hours of audio recordings, more than 1,000 hours of video, 12,000 historical photographs, archival documents, and a collection of annotated sheet music. It serves as a unique resource for research, innovation, and cultural transmission. As part of this collaboration, EPFL students are invited—upon registration and following a selection process—to participate in a master class during which they will draw on part of this heritage to create a musical work, which they will then present to an audience and a jury.<br>\r\n<br>\r\n---<br>\r\n<strong>Partners: </strong>Claude Latour Foundation, Verbier Festival, CHC Platform—Cultural Heritage &amp; Conservation at EPFL, UNIL, Montreux Jazz Café, NAGRA <br>\r\n<br>\r\n<strong>&gt;&gt;&gt; Free admission; <a href=\"http://forms.cloud.microsoft/e/z8TTfURvwX\">aperitif available with registration</a></strong><br>\r\n \r\n<figure class=\"image\"><a href=\"https://www.epfl.ch/campus/art-culture/fr/les-culturelles/les-culturelles-dautomne-2026/\"><img alt=\"Programme complet des Culturelles\" height=\"182\" src=\"https://www.epfl.ch/campus/art-culture/wp-content/uploads/2026/09/LES_CULTURELLES_1920x1080_programme_complet.png\" width=\"600\"></a>\r\n\r\n<figcaption>© 2026 EPFL, Laura Persat</figcaption>\r\n</figure>",
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            "organizer": "<a href=\"https://www.epfl.ch/campus/art-culture/fr/les-culturelles/\">Festival Les Culturelles</a> (Pôle Culture VPI)",
            "contact": "<a href=\"https://people.epfl.ch/veronique.mauron\">Véronique Mauron Layaz</a>",
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            "category": {
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            "id": 72519,
            "title": "White Shadow - Exhibition",
            "slug": "white-shadow-exhibition",
            "event_url": "https://memento.epfl.ch/event/white-shadow-exhibition",
            "visual_url": "https://memento.epfl.ch/image/33781/200x112.jpg",
            "visual_large_url": "https://memento.epfl.ch/image/33781/720x405.jpg",
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            "lang": "en",
            "start_date": "2026-10-14",
            "end_date": "2026-10-14",
            "start_time": "18:30:00",
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            "description": "<div class=\"BCX2 Ltr OutlineElement SCXW254063798\"><strong>Opening Reception: Wednesday, October 14 at 6:30 p.m.<br>\r\nExhibition on view from October 14, 2026, through February 9, 2027</strong><br>\r\n<br>\r\nWhat if, one day, all our photographs suddenly transformed and became the very objects they depict? They would flood our living spaces with landscapes, selfies, cats, vehicles, and meals scattered as far as the eye can see.<br>\r\n<br>\r\nEvery day, we produce images, messages, and data that we store on servers and in the cloud. But what becomes of this digital output?<br>\r\n<em>White Shadow</em> is a series of photographs created by <a href=\"http://collectif-fact.ch/\">collectif_fact</a> (Annelore Schneider and Claude Piguet). It was produced using photogrammetry, a technology that transforms photographs into 3D models. The images are generated from data sourced from online libraries. The result is a dizzying architecture so pervasive that it erects barriers and isolates individuals from one another. A society is emerging, grappling with media saturation, sensory overload, and a crushing ecological impact. A world is emerging where images have taken over, colonizing and transforming space until they become the only reality still visible.<br>\r\nThis narrative is a metaphor that prompts reflection on our responsibility regarding our daily digital output and its consequences for the environment.<br>\r\n<br>\r\n<a href=\"http://collectif-fact.ch/\">collectif_fact</a><br>\r\ncollectif_fact, founded by Annelore Schneider (1979, Neuchâtel) and Claude Piguet (1977, Neuchâtel), explores the economics of the contemporary image through video and photography, drawing on speculative narratives and fiction. Their works have been exhibited at institutions such as the Maison européenne de la photographie (Paris), the Centre d’art contemporain (Geneva), the Swiss Cultural Center (Paris), the Hiroshima Museum of Contemporary Art, the Lianzhou Foto Festival, the Metropolis Art Center (Beijing), and the Fotomuseum Winterthur. They recently received the Landis &amp; Gyr residency in London, the New Point of View Award from This is Short (European Short Film Network), and the Best Short Film Award at the International Festival of Films on Art (FIFA). They are represented by Galerie Wilde in Geneva.<br>\r\n<br>\r\nTheir works—videos, photographs, and installations—are part of the following collections: the City of Paris Municipal Contemporary Art Fund, Haus der Elektronischen Künste, Basel; the Lyon Museum of Contemporary Art; the Federal Office of Culture, Bern; the Fotomuseum Winterthur; the Neuchâtel Museum of Art and History; La Chaux-de-Fonds Museum of Fine Arts, Geneva Municipal Contemporary Art Collection, Geneva Cantonal Contemporary Art Collection, Museum of Communication, Bern, Visual Arts Collection, City of Biel, and Sion Art Museum.<br>\r\n<br>\r\n<a href=\"http://collectif-fact.ch/\">&gt; Collectif-Fact website</a><br>\r\n \r\n<figure class=\"image\"><a href=\"https://www.epfl.ch/campus/art-culture/fr/les-culturelles/les-culturelles-dautomne-2026/\"><img alt=\"Programme complet des Culturelles\" height=\"182\" src=\"https://www.epfl.ch/campus/art-culture/wp-content/uploads/2026/09/LES_CULTURELLES_1920x1080_programme_complet.png\" width=\"600\"></a>\r\n<figcaption>© 2026 EPFL, Laura Persat</figcaption>\r\n</figure>\r\n</div>",
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        {
            "id": 72690,
            "title": "Electronic Prototyping 1",
            "slug": "electronic-prototyping-1",
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            "lang": "en",
            "start_date": "2026-10-06",
            "end_date": "2026-10-06",
            "start_time": "18:15:00",
            "end_time": "20:00:00",
            "description": "<p>Components, measurements, wiring, and first circuit builds: everything you need to quickly go from idea to circuit!</p>",
            "image_description": "",
            "creation_date": "2026-09-28T13:16:59",
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            "link_label": "",
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            "speaker": "Olive Petroff <br>\r\nRobin Arthur Guillaume-Gentil",
            "organizer": "RoboPoly",
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            "is_internal": "False",
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            "id": 72692,
            "title": "Electronic Prototyping 2",
            "slug": "electronic-prototyping-2",
            "event_url": "https://memento.epfl.ch/event/electronic-prototyping-2",
            "visual_url": "https://memento.epfl.ch/image/33917/200x112.jpg",
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            "start_date": "2026-10-07",
            "end_date": "2026-10-07",
            "start_time": "18:15:00",
            "end_time": "20:00:00",
            "description": "<p>Introduction to microcontroller programming, communications, analog circuits, and more!</p>",
            "image_description": "",
            "creation_date": "2026-09-28T13:24:46",
            "last_modification_date": "2026-09-28T13:57:42",
            "link_label": "",
            "link_url": "",
            "canceled": "False",
            "cancel_reason": "",
            "place_and_room": "CM 1 5",
            "url_place_and_room": "https://plan.epfl.ch/?room==CM%201%205",
            "url_online_room": "",
            "spoken_languages": [
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            ],
            "speaker": "Olive Petroff <br>\r\nRobin Arthur Guillaume-Gentil",
            "organizer": "RoboPoly",
            "contact": "[email protected]",
            "is_internal": "False",
            "theme": "",
            "vulgarization": {
                "id": 1,
                "fr_label": "Tout public",
                "en_label": "General public"
            },
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                "id": 3,
                "fr_label": "Entrée libre",
                "en_label": "Free"
            },
            "keywords": "",
            "file": null,
            "icalendar_url": "https://memento.epfl.ch/event/export/121959/",
            "category": {
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                "activated": true
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        {
            "id": 72743,
            "title": "3D Printing",
            "slug": "3d-printing",
            "event_url": "https://memento.epfl.ch/event/3d-printing",
            "visual_url": "https://memento.epfl.ch/image/33958/200x112.jpg",
            "visual_large_url": "https://memento.epfl.ch/image/33958/720x405.jpg",
            "visual_maxsize_url": "https://memento.epfl.ch/image/33958/max-size.jpg",
            "lang": "en",
            "start_date": "2026-10-14",
            "end_date": "2026-10-14",
            "start_time": "18:15:00",
            "end_time": "20:00:00",
            "description": "<p>Modeling, slicing, rapid prototyping:<br>\r\nLearn to see your mechanical projects through to completion.</p>",
            "image_description": "",
            "creation_date": "2026-10-01T19:38:52",
            "last_modification_date": "2026-10-01T19:39:20",
            "link_label": "",
            "link_url": "",
            "canceled": "False",
            "cancel_reason": "",
            "place_and_room": "CM 1 5",
            "url_place_and_room": "https://plan.epfl.ch/?room==CM%201%205",
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            "speaker": "ENKAOUA Natan (Responsable fabrication)",
            "organizer": "RoboPoly",
            "contact": "[email protected]",
            "is_internal": "False",
            "theme": "",
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                "fr_label": "Tout public",
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                "fr_label": "Entrée libre",
                "en_label": "Free"
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            "file": null,
            "icalendar_url": "https://memento.epfl.ch/event/export/122029/",
            "category": {
                "id": 1,
                "code": "CONF",
                "fr_label": "Conférences - Séminaires",
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        {
            "id": 72521,
            "title": "Le Chantier - Film screening and discussion with director Jean-Stéphane Bron",
            "slug": "le-chantier-film-screening-and-discussion-with-dir",
            "event_url": "https://memento.epfl.ch/event/le-chantier-film-screening-and-discussion-with-dir",
            "visual_url": "https://memento.epfl.ch/image/33779/200x112.jpg",
            "visual_large_url": "https://memento.epfl.ch/image/33779/720x405.jpg",
            "visual_maxsize_url": "https://memento.epfl.ch/image/33779/max-size.jpg",
            "lang": "en",
            "start_date": "2026-10-15",
            "end_date": "2026-10-15",
            "start_time": "18:15:00",
            "end_time": "20:15:00",
            "description": "<div class=\"BCX2 Ltr OutlineElement SCXW74632052\"><strong>France / Switzerland, August 2025<br>\r\nFilm, documentary, 94 min. / VOSTEN<br>\r\nFollowing the film, <a href=\"http://www.visionsdureel.ch/anne-delseth-nouvelle-directrice-artistique-de-visions-du-reel/\">Anne Delseth</a>, artistic director of <a href=\"http://www.visionsdureel.ch/\">Visions du Réel</a>, will lead a discussion with director <a href=\"http://en.wikipedia.org/wiki/Jean-St%C3%A9phane_Bron\">Jean-Stéphane Bron</a> and the audience.</strong><br>\r\n<br>\r\nBehind the closed doors of an extraordinary construction site, filmmaker <a href=\"http://en.wikipedia.org/wiki/Jean-St%C3%A9phane_Bron\">Jean-Stéphane Bron</a> spent four years documenting the construction in Paris of the <a href=\"http://fr.wikipedia.org/wiki/Path%C3%A9_Palace_(Paris)\">Pathé Palace cinema</a>, a luxury theater designed by Italian architect Renzo Piano for the group led by producer Jérôme Seydoux, one of the most influential figures in French cinema.<br>\r\n<br>\r\nHis documentary <a href=\"http://www.swissfilms.ch/fr/movie/le-chantier/4d8f6696d1d740e392cf73c68db29f15\">Le Chantier</a> chronicles an extraordinary architectural adventure by offering a real-time portrait of a society in miniature, driven by a common goal: the construction of movie theaters for the coming century. From the architect to the master carpenters, from the construction foreman to the head of the Pathé Group, from the sound system designer to the future projectionists, the documentary paints a vivid, human-scale portrait of this community.<br>\r\n<br>\r\nLe Chantier premiered in 2025 at the Locarno Film Festival and was released in theaters in the spring of 2026. This film, screened at EPFL, echoes the Double Deck construction project currently underway in plain view of everyone. It raises questions about how to tell the story of complex realities. Ultimately, it also symbolizes a world yet to be built. Following the screening, there will be a discussion with director Jean-Stéphane Bron.<br>\r\n---</div>\r\n\r\n<div class=\"BCX2 Ltr OutlineElement SCXW74632052\"><strong><a href=\"https://en.wikipedia.org/wiki/Jean-St%C3%A9phane_Bron\">Jean-Stéphane Bron</a> </strong><br>\r\nJean-Stéphane Bron (born 1969 in Lausanne) is a graduate of the École Cantonale d’Art de Lausanne (ECAL). His documentaries address contemporary issues such as the crisis of democracy, the economic crisis, and the rise of populism, using dramatic techniques similar to those found in fiction. Among them, *Connu de nos services* (1997) addresses the scandal surrounding the political dossiers compiled by the Federal Police in the 1970s and 1980s. *Mais im Bundeshuus / Le Génie helvétique* (2003), one of Swiss cinema’s major box-office hits, follows the work of a parliamentary commission tasked with drafting a law on genetic engineering. *The Blocher Experiment* (2013) sparked intense controversy. *Cleveland vs. Wall Street* (2010), about the subprime mortgage crisis, was presented at the Cannes Film Festival (Directors’ Fortnight) and nominated for a César Award in France. His film *The Paris Opera* (2017) was subsequently widely distributed around the world. With this film, which drew more than 200,000 viewers to theaters, Jean-Stéphane Bron won the Swiss Film Award in the Best Documentary category for the third time in 2018. In 2021, Jean-Stéphane Bron released *Cinq nouvelles du cerveau*, a feature-length film that explores various mind-boggling questions related to advances in the fields of neuroscience and artificial intelligence. Between December 2021 and May 2022, he filmed the series *Ma rue de l’Ale* for RTS on his own street in Lausanne; the series was a huge hit with audiences.<br>\r\n<br>\r\nExploring reality through the eyes of those who shape it. Jean-Stéphane Bron’s unique art lies not merely in presenting the facts, but in understanding both the people involved and the systems within which they operate—systems that shape their actions.<br>\r\n<br>\r\n<strong>Partner: <a href=\"http://www.visionsdureel.ch/\">Visions du réel</a></strong><br>\r\n \r\n<figure class=\"image\"><a href=\"https://www.epfl.ch/campus/art-culture/fr/les-culturelles/les-culturelles-dautomne-2026/\"><img alt=\"Programme complet des Culturelles\" height=\"182\" src=\"https://www.epfl.ch/campus/art-culture/wp-content/uploads/2026/09/LES_CULTURELLES_1920x1080_programme_complet.png\" width=\"600\"></a>\r\n\r\n<figcaption>© 2026 EPFL, Laura Persat</figcaption>\r\n</figure>\r\n</div>",
            "image_description": "",
            "creation_date": "2026-09-03T18:19:57",
            "last_modification_date": "2026-09-22T13:55:33",
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            "link_url": "https://www.epfl.ch/campus/art-culture/fr/les-culturelles/les-culturelles-dautomne-2026/",
            "canceled": "False",
            "cancel_reason": "",
            "place_and_room": "Forum Rolex",
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            "speaker": "<a href=\"https://en.wikipedia.org/wiki/Jean-St%C3%A9phane_Bron\">Jean-Stéphane Bron</a>, réalisateur ",
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            "contact": "<a href=\"https://people.epfl.ch/veronique.mauron\">Véronique Mauron Layaz</a>",
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            "id": 72601,
            "title": ">>venture>> The Starting Line",
            "slug": "venture-the-starting-line-2",
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            "start_date": "2026-10-05",
            "end_date": "2026-10-05",
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            "description": "<p> <br>\r\nSix questions. Real jurors. Come find out if &gt;&gt;venture&gt;&gt; is the right competition for your startup.<br>\r\n<br>\r\nApplications for the 2027 &gt;&gt;venture&gt;&gt; competition open October 1, and there's exactly one thing standing between you and the Top 200: six questions the jury will ask about your startup.<br>\r\n<br>\r\nThe Starting Line is where you find out how you'd answer them, before it counts. And \"starting line\" means exactly that — whether you've got a team, a prototype, and early traction, or just an idea you've been turning over in your head, this event is built for you.<br>\r\nCome learn how the competition works, how CHF 590,000 in non-dilutive funding gets distributed, and how you could walk away with up to CHF 150,000, mentoring, and a consulting package from McKinsey &amp; Company. If it feels like the right fit, you can start your application that same evening; our team and expert mentors will be there to help you get going.<br>\r\n<br>\r\n<strong><strong>What happens on the night</strong></strong><br>\r\n<br>\r\nOur jurors score alumni startups live, out loud, on the same six criteria that decide the 2027 competition: Innovation, Team, Technology &amp; Product, Market, Sustainability &amp; Impact, and Business. You'll watch real answers get real feedback: the good, the underprepared, and everything in between.<br>\r\nThen it's your turn:\r\n</p><ul>\r\n\t<li><strong><strong>Writing room: </strong></strong>sit down and draft your own answer to the most challenging of the six criteria, with structure and prompts to work from</li>\r\n\t<li><strong><strong>Clinics: </strong></strong>small-group sessions with mentors who'll push back on your answers before you have to defend them for real</li>\r\n\t<li><strong><strong>Apéro: </strong></strong>meet other founders, the &gt;&gt;venture&gt;&gt; team, and the people who'll be reading your application</li>\r\n</ul>\r\n<strong><strong>Who should come</strong></strong><br>\r\n<br>\r\nAny founder, co-founder, or nonprofit lead thinking about applying to the 2027 competition. Early idea, side project, or a startup already shipping- all welcome. You don't need a finished business plan. You need to be innovative.<br>\r\n<br>\r\n<strong><strong>About &gt;&gt;venture&gt;&gt;</strong></strong><br>\r\nWe're celebrating 30 years of backing Switzerland's boldest founders. Since 1997, &gt;&gt;venture&gt;&gt; has run Switzerland's leading startup competition — a non-profit foundation co-organized by ETH Zurich, McKinsey &amp; Company, Knecht Holding, Innosuisse, and EPFL. Free to enter, no equity taken, always.<br>\r\n<br>\r\n<strong><strong>Details</strong></strong>\r\n\r\n<ul>\r\n\t<li>EPFL, MED Building, Lausanne</li>\r\n\t<li>5 October 2026, doors open 6:00 PM</li>\r\n\t<li>Free to attend</li>\r\n\t<li>Bring: your idea (however far along), a notebook/laptop, and your toughest unanswered question</li>\r\n</ul>\r\n<br>\r\nApplications are open between 1<sup>st </sup>October 1 and 30 November 2026. Submit by 31 October and you're automatically entered in a draw for an extra CHF 1,000. Free to enter, no equity taken, up to CHF 150,000 in prizes. <br>\r\n<br>\r\nFor more information, visit us at: <a data-msys-clicktrack=\"0\" href=\"https://www.venture.ch/\" rel=\"ugc nofollow noopener noreferrer\" target=\"_blank\" title=\"https://www.venture.ch\">www.venture.ch</a>",
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