retrieve:
Return the details about the given Event id.

list:
List all Event objects.

GET /api/v1/events/?format=api&offset=220&ordering=event__url_link
HTTP 200 OK
Allow: GET, HEAD, OPTIONS
Content-Type: application/json
Vary: Accept

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            "title": "CAS Circular Value Networks 2026",
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            "description": "<em><strong>Leading Sustainable Business Operations</strong></em><br>\r\n<br>\r\nThe ability to balance sustainability, agility and resilient value chains is quickly becoming the defining differentiator for business operations professionals. People who solve problems every day, armed with sustainable solutions toolkits, are the untapped changemakers. We will equip you to leverage your expertise to build a better future.<br>\r\nSustainability is a term that has been thrown around organizations for nearly 4 decades. And yet, it remains a largely untapped potential and term often misunderstood as a state, rather than a mindset that must continuously adjust to changing industry practice and innovation. <strong>Gain the mindset, knowledge and tools you need to accelerate the transition to NET-Zero.</strong><br>\r\n<br>\r\nThe Certificate of Advanced Studies in Circular Value Networks runs from October 1st to November 28th 2026 the EPFL Campus in Lausanne.<br>\r\n \r\n<ul>\r\n\t<li>12 days on Campus</li>\r\n\t<li>4 modules</li>\r\n\t<li>Flexible format</li>\r\n\t<li>Part-time</li>\r\n\t<li>15 ECTS</li>\r\n</ul>",
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            "id": 72171,
            "title": "Environmental & Social Impact Assessment [CAS Circular Value Networks 2026]",
            "slug": "environmental-social-impact-assessment-cas-circula",
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            "start_date": "2026-10-29",
            "end_date": "2026-10-31",
            "start_time": null,
            "end_time": null,
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            "image_description": "",
            "creation_date": "2026-06-25T17:47:52",
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            "id": 72172,
            "title": "Building the Sustainability Business Case [CAS Circular Value Networks 2026]",
            "slug": "building-the-sustainability-business-case-cas-circ",
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            "start_date": "2026-11-12",
            "end_date": "2026-11-14",
            "start_time": null,
            "end_time": null,
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            "image_description": "",
            "creation_date": "2026-06-25T17:49:27",
            "last_modification_date": "2026-09-14T08:23:51",
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            "id": 72173,
            "title": "Responsible Sourcing [CAS Circular Value Networks 2026]",
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            "start_date": "2026-11-26",
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            "start_time": null,
            "end_time": null,
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        {
            "id": 72472,
            "title": "creapoly - EPFL staff collective expressions",
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            "description": "<strong>Discover your colleagues’ creative talents! </strong>Thirty EPFL staff members, doctoral students, and postdocs are showcasing their artistic works as part of this exhibition.<br>\r\n<br>\r\n<strong>PRACTICAL INFORMATION:</strong>\r\n<ul>\r\n\t<li><strong>Exhibition : </strong>October 9-12<strong> / </strong>10:00 a.m. - 6:00 p.m.</li>\r\n\t<li><strong>At the <a href=\"https://plan.epfl.ch/?room==SG%20294.22\">Foyer SG</a></strong> : The SG building will be open over the weekend</li>\r\n</ul>\r\nThey answered the call and will be exhibiting one or two works as part of the creapoly exhibition! The techniques used are almost as varied as the 30 participants themselves: acrylic, watercolor, ceramics, collage, ink, charcoal, oil, pastel, palette knife painting, drypoint, woodcarving, and even mixed media and digital techniques…<br>\r\n<br>\r\n<strong>The participants are:</strong> <a>Thibault Aryaksama</a><a class=\"msocomanchor\" href=\"#_msocom_1\" id=\"_anchor_1\" language=\"JavaScript\" name=\"_msoanchor_1\">[SS1]</a> , Behnaz Bakhtiari, Zahra Basiri, Laurence Briola, Seyedmohamadjavad Chabok, Jeanne Fernandez, Inès Gotti, Martine Harmel, Yasaman Izadmehr, Laurent Jospin, Anisia Katinskaia, Yves Leterrier, Katherine Loh, Irina Lopez, Mabel Maucci, Pierre Merret, Wricha Mishra, Gianluca Pepe, Laura Persat, Bernadette Pianka, Jean-Daniel Roulier, Mathilde Saunois, Maria Sivers, Joan Suris, Rita Székely, Barbara Tinguely, Laure Vancauwenberghe, Mioara Vasile, Christian Vonarburg and Marie-Pierre Zufferey. <br>\r\n<br>\r\nA scenic design will showcase these works, thanks to the efforts of <a href=\"https://people.epfl.ch/dimitri.kasparian\">Dimitri Kasparian</a>, who also serves as the scenic designer for Archizoom’s exhibitions.<br>\r\n<br>\r\nThis project is organized as part of the 2026 <a href=\"https://jours-sante.ch/en/\"><strong>Health days</strong></a> and <strong><a href=\"https://www.epfl.ch/campus/art-culture/les-culturelles-cultural-week/les-culturelles-fall-2026/\">Les Culturelles Festival</a></strong> by the VPI’s Culture Pole, in partnership with the VPH. <br>\r\n<br>\r\n<strong>Featured image: </strong>\"Overwhelming and Collective Murder\", by Katherine Loh<br>\r\n \r\n<figure class=\"image\"><a href=\"https://www.epfl.ch/campus/art-culture/fr/les-culturelles/les-culturelles-dautomne-2026/\"><img alt=\"Programme complet des Culturelles\" height=\"182\" src=\"https://www.epfl.ch/campus/art-culture/wp-content/uploads/2026/09/LES_CULTURELLES_1920x1080_programme_complet.png\" width=\"600\"></a>\r\n\r\n<figcaption>© 2026 EPFL, Laura Persat</figcaption>\r\n</figure>\r\n ",
            "image_description": "",
            "creation_date": "2026-08-31T11:28:06",
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        {
            "id": 72515,
            "title": "A Million-Year Picnic - Film screening and discussion with artist Pauline Julier",
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            "start_date": "2026-10-12",
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            "start_time": "18:15:00",
            "end_time": "19:45:00",
            "description": "<div class=\"BCX2 Ltr OutlineElement SCXW50249459\"><strong>Video installation, 4K, color, loop, variable duration, 2024<br>\r\nRunning time: 1 hour 30 minutes<br>\r\n<br>\r\nScreening followed by a discussion with <a href=\"http://www.paulinejulier.com/\">Pauline Julier</a> and <a href=\"https://www.vidy.ch/en/artist/eric-vautrin/\">Eric Vautrin</a></strong><br>\r\n<br>\r\n<a href=\"http://www.paulinejulier.com/\">Pauline Julier’s</a> film is set in a mystical, misty landscape that could be Mars or an unknown planet, but it is actually a theater set. Three scientists discuss the challenges of space research, the latest discoveries, and imaginary worlds.<br>\r\n<br>\r\n<a href=\"http://en.wikipedia.org/wiki/Didier_Queloz\">Didier Queloz</a>, winner of the Nobel Prize in Physics for the discovery of exoplanets, speaks with <a href=\"http://blue-shift.co/\">Camille Bonvin</a>, a cosmologist, and <a href=\"http://fr.wikipedia.org/wiki/Violaine_Sautter\">Violaine Sautter</a>, a planetary geologist and member of NASA’s Curiosity and Perseverance missions. The conversation, centered around a thermos, camping mugs, and a picnic, draws a connection to Ray Bradbury’s short story <em><a href=\"http://classicsofsciencefiction.com/2025/03/20/the-million-year-picnic-by-ray-bradbury/\">A Million-Year Picnic </a></em>(1946), part of his *The Martian Chronicles*: a family must leave Earth and finds its own reflection while searching for Martians.<br>\r\n<br>\r\nEven today, the question remains: What do we learn about ourselves when we look at Mars? What kind of life—past or future—are we searching for in space? This film is the result of a collaborative, interdisciplinary creative process that took place at the <a href=\"http://www.vidy.ch/fr/evenement/a-million-year-picnic-conversations-sur-mars/\">Théâtre Vidy-Lausanne in 2024.</a><br>\r\n<br>\r\n<strong>AFTER THE SCREENING:</strong><br>\r\nFollowing the screening, there will be <strong>a discussion</strong> between director <a href=\"http://www.paulinejulier.com/\">Pauline Julier</a> and <a href=\"https://www.vidy.ch/en/artist/eric-vautrin/\">Eric Vautrin</a>, playwright at the Vidy Theater.<br>\r\n<br>\r\n---<br>\r\n<strong>Biography of Pauline Julier</strong><br>\r\nPauline Julier (b. 1981, Geneva) is an artist and filmmaker whose practice explores the connections humans forge with the world around them through stories, rituals, knowledge, and images. Weaving together documentary, theoretical, and fictional elements, her films and installations reflect the complexity of human relationships with their environments and foster a dialogue between science and myth to renew our perspective on the world.<br>\r\n<br>\r\nHis works have been exhibited at major contemporary art centers, institutions, and festivals around the world, including the Centre Pompidou (Paris), the IAC (Villeurbanne), the Loop Festival (Barcelona), Visions du Réel (Nyon), Wiels (Brussels), the Centre d’Art Contemporain (Geneva), the ZKM (Karlsruhe), Tokyo Wonder Site, the Museum of Modern Art (Tanzania), the Palazzo Grassi (Venice), as well as in New York, Madrid, Berlin, Zagreb, the TIFF Cinematheque (Toronto), and the Pera Museum (Istanbul).<br>\r\n<br>\r\nA two-time recipient of the Swiss Art Prize (2010, 2021) and the “Mondes Nouveaux” grant from the French Ministry of Culture (2022), her solo exhibition *Naturalis Historia* toured internationally after its opening at the Swiss Cultural Center in Paris (2017). She presented a major solo exhibition at the Aargauer Kunsthaus in 2024 and is currently completing her first feature-length fiction film, *Les Indes*, scheduled for release in the fall of 2026.<br>\r\n \r\n<figure class=\"image\"><a href=\"https://www.epfl.ch/campus/art-culture/fr/les-culturelles/les-culturelles-dautomne-2026/\"><img alt=\"Programme complet des Culturelles\" height=\"182\" src=\"https://www.epfl.ch/campus/art-culture/wp-content/uploads/2026/09/LES_CULTURELLES_1920x1080_programme_complet.png\" width=\"600\"></a>\r\n<figcaption>© 2026 EPFL, Laura Persat</figcaption>\r\n</figure>\r\n</div>",
            "image_description": "",
            "creation_date": "2026-09-03T16:18:02",
            "last_modification_date": "2026-09-28T10:49:06",
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            "canceled": "False",
            "cancel_reason": "",
            "place_and_room": "Forum Rolex",
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            "speaker": "<a href=\"http://www.paulinejulier.com/\">Pauline Julier</a>, artiste et cinéaste &amp; <a href=\"https://www.vidy.ch/en/artist/eric-vautrin/\">Eric Vautrin</a>, dramaturge au théâtre de Vidy",
            "organizer": "<a href=\"https://www.epfl.ch/campus/art-culture/fr/les-culturelles/\">Festival Les Culturelles</a> (Pôle Culture VPI)",
            "contact": "<a href=\"https://people.epfl.ch/veronique.mauron\">Véronique Mauron Layaz</a>",
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        {
            "id": 72516,
            "title": "Julian Sartorius Concert - RLLRLRLLRRLRLRLRLLRLRLR",
            "slug": "julian-sartorius-concert-rllrlrllrrlrlrlrllrlrlr-2",
            "event_url": "https://memento.epfl.ch/event/julian-sartorius-concert-rllrlrllrrlrlrlrllrlrlr-2",
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            "lang": "en",
            "start_date": "2026-10-13",
            "end_date": "2026-10-13",
            "start_time": "12:00:00",
            "end_time": "13:00:00",
            "description": "<div class=\"BCX2 Ltr OutlineElement SCXW167897111\"><strong>Two concerts:</strong></div>\r\n\r\n<ul>\r\n\t<li><strong>Tuesday, October 13,</strong> <strong>at noon: <a href=\"https://juliansartorius.bandcamp.com/album/rllrlrllrrlrlrlrllrlrlr\">RLLRLRLLRRLRLRLRLLRLRLR </a></strong><br>\r\n\tDuration: 1 hour.<br>\r\n\tWith: Julian Sartorius, Romane Bouffioux, Jeanne Larrouturou, Julien Mégroz et Julien Annoni<br>\r\n\t </li>\r\n\t<li><strong>Tuesday, October 13,</strong> <strong>at 7:00 p.m.: solo </strong><br>\r\n\tDuration: 30 minutes<br>\r\n\tAs part of the opening for <a href=\"https://memento.epfl.ch/event/nonc-normally-open-normally-close-installation/\">NO/NC</a></li>\r\n</ul>\r\n\r\n<div class=\"BCX2 Ltr OutlineElement SCXW167897111\"><br>\r\nKnown for his unique, playful, and highly virtuosic approach to his instrument, internationally renowned drummer <a href=\"http://www.juliansartorius.com/\">Julian Sartorius</a> will present RLLRLRLLRRLRLRLRLLRLRLR, a score composed for a percussion ensemble in which “R” stands for right hand and “L” stands for left hand. Played continuously by the ensemble throughout the piece, the motif evolves under Julian Sartorius’s direction as he adapts the instrumentation (adding, substituting, or removing objects or instruments).<br>\r\n<br>\r\nA journey through minimalism, repetition, musical progression, and a deluge of sound. The concert stems from an experiment in which the addition, removal, or modification of basic elements generates new content. It also incorporates playfulness, the freedom to assemble elements, and the surprise of unexpected sound combinations. Much like many scientific protocols, this method—here applied to music—suggests avenues of convergence between scientific and creative practices.<br>\r\n<br>\r\n<iframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https://www.youtube.com/embed/hZ4HRiNTQC4?si=RXzPTogaFJIKH2dK\" width=\"560\"></iframe><br>\r\nAt 7 p.m. that evening, as part of the opening reception for the installation <strong>NO/NC (Normally Open/Normally Closed)</strong>, co-created with Archizoom, Julian Sartorius will give a solo concert.<br>\r\n---<br>\r\n<strong>Biography of <a href=\"http://www.juliansartorius.com/\">Julian Sartorius</a></strong><br>\r\nDrummer, percussionist, and artist Julian Sartorius shapes sounds into unique forms. His precise and rich rhythmic patterns are true explorations of the hidden sounds of found objects and prepared instruments, bridging the gap between organic timbres and the language of electronic music. Julian Sartorius has released numerous solo albums, created audiovisual works, collaborated with musicians, writers, and artists, and performed in everything from intimate venues to festival stages.</div>\r\n\r\n<div class=\"BCX2 Ltr OutlineElement SCXW167897111\"><br>\r\nTrained at the jazz schools in Bern and Lucerne under the guidance of musicians such as Fabian Kuratli, Pierre Favre, and Norbert Pfammatter, Julian Sartorius developed a unique musical approach at a very early age. Fascinated by small-scale variations, the interplay of tension and release, density, and vibration, he has created projects such as the 12-vinyl box set *Beat Diary* (Everest Records, 2012), comprising 365 rhythmic pieces accompanied by a book of photographs; the daily series of eight-second loops “Morphblog” (2013–2019); and “Depot,” an audiovisual installation for 16 speakers and 16 screens, presented at the Kunstmuseum in Thun. For his album “Hidden Tracks: Basel – Geneva” (Everest Records, 2017), Julian walked more than 200 kilometers with his drumsticks and recording equipment, playing and capturing a multitude of sounds and textures from objects he encountered along the way.<br>\r\n </div>\r\n\r\n<div class=\"BCX2 Ltr OutlineElement SCXW167897111\">In recent years, Julian Sartorius has collaborated with numerous musicians, including Sophie Hunger, Sylvie Courvoisier, Gyda Valtysdottir, Dimlite, Shahzad Ismaily, and Dan Carey. His instantly recognizable percussion work also appears on recent albums by Kate Tempest, Matthew Herbert, and James Zoo. Julian Sartorius has toured and performed in North and South America, Asia, and Europe, sharing the stage with artists such as Marc Ribot, Deerhoof, Faust, Jaki Liebezeit, and Arto Lindsay.<br>\r\n<br>\r\n---  <br>\r\n<a href=\"http://usinesonore.ch/\"><strong>Usinesonore</strong></a><br>\r\nThe Usinesonore association shares its passion for music by promoting it through various activities in the Canton of Bern and beyond. It was previously invited to EPFL in 2017.<br>\r\nFounded in 2006 by Julien Annoni and Olivier Membrez, two young Bernese Jura natives passionate about contemporary music, the Usinesonore association organizes events centered on today’s music.<br>\r\n<br>\r\nThe association’s activities focus on three main areas: organizing the Usinesonore Festival, the Ensemble We Spoke, and organizing parallel events (traveling concerts, custom-designed events, outreach activities, etc.).<br>\r\n<br>\r\nEach event is shaped by careful consideration of how to share it with the audience. Usinesonore devotes all its energy to ensuring that the audience can experience the artistic moment, that they do not leave indifferent, and that they feel heard and supported throughout their experience.<br>\r\n<br>\r\n<strong>Partner: <a href=\"http://usinesonore.ch/\">Usinesonore</a></strong><br>\r\n \r\n<figure class=\"image\"><a href=\"https://www.epfl.ch/campus/art-culture/fr/les-culturelles/les-culturelles-dautomne-2026/\"><img alt=\"Programme complet des Culturelles\" height=\"182\" src=\"https://www.epfl.ch/campus/art-culture/wp-content/uploads/2026/09/LES_CULTURELLES_1920x1080_programme_complet.png\" width=\"600\"></a>\r\n\r\n<figcaption>© 2026 EPFL, Laura Persat</figcaption>\r\n</figure>\r\n</div>",
            "image_description": "",
            "creation_date": "2026-09-03T16:34:42",
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            "speaker": "<a href=\"https://www.juliansartorius.com/\">Julian Sartorius</a>, batteur<strong> ; </strong><a href=\"https://usinesonore.ch/\">Usinesonore</a>",
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        {
            "id": 72517,
            "title": "NO/NC (Normally open/ Normally closed) - Installation",
            "slug": "nonc-normally-open-normally-closed-installation",
            "event_url": "https://memento.epfl.ch/event/nonc-normally-open-normally-closed-installation",
            "visual_url": "https://memento.epfl.ch/image/33783/200x112.jpg",
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            "lang": "en",
            "start_date": "2026-10-13",
            "end_date": "2026-10-13",
            "start_time": "18:30:00",
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            "description": "<div class=\"BCX2 Ltr OutlineElement SCXW57136668\"><strong>Opening reception on October 13 at 6:30 p.m. (<a href=\"https://memento.epfl.ch/event/julian-sartorius-concert-rllrlrllrrlrlrlrllrlrlr/\">with a concert at 7pm</a>)<br>\r\nExhibition on view October 13–24</strong><br>\r\n<br>\r\nThe Pôle Culture (VPI) and <a href=\"http://www.epfl.ch/campus/art-culture/museum-exhibitions/archizoom/fr/accueil/\">Archizoom </a>are collaborating on an installation by the artist duo <a href=\"http://aatb.ch/about/\">Andrea Anner &amp; Thibault Brevet (AATB)</a> that extends Archizoom’s exhibition <a href=\"http://www.epfl.ch/campus/art-culture/museum-exhibitions/archizoom/fr/do-robots-dream-of-construction-sites/\">Do Robots Dream of Construction Sites?</a> and is part of the Les Culturelles festival.<br>\r\n<br>\r\nNO/NC is a new work by AATB featuring <strong>a swarm of inflatable barriers</strong> that move autonomously through the space to form temporary structures and barricades, preventing visitors from moving about and crossing the space freely.<br>\r\n<br>\r\nWhoever controls and decides where and for whom to build walls also decides how we form a cohesive society—a society cemented by fictitious boundaries—while fragmenting and dissolving those deemed undesirable.<br>\r\n<br>\r\nThe walls of the installation take on an almost ghostly quality. They are constantly changing, continually shifting. It seems as though today they possess a will of their own, a form of autonomy, their own logic, and their own survival instinct.<br>\r\n<br>\r\n<a href=\"http://www.aatb.ch/\">&gt; AATB website</a><br>\r\n<br>\r\n<strong>Co-organized</strong> <strong>with <a href=\"http://www.epfl.ch/campus/art-culture/museum-exhibitions/archizoom/fr/accueil/\">Archizoom</a></strong><br>\r\nAs part of the exhibition <a href=\"http://www.epfl.ch/campus/art-culture/museum-exhibitions/archizoom/fr/do-robots-dream-of-construction-sites/\">*Do Robots Dream of Construction Sites?*</a> at Archizoom (guided tour of the exhibition at 5:30 p.m.)</div>\r\n\r\n<div class=\"BCX2 Ltr OutlineElement SCXW57136668\"> \r\n<figure class=\"image\"><a href=\"https://www.epfl.ch/campus/art-culture/fr/les-culturelles/les-culturelles-dautomne-2026/\"><img alt=\"Programme complet des Culturelles\" height=\"182\" src=\"https://www.epfl.ch/campus/art-culture/wp-content/uploads/2026/09/LES_CULTURELLES_1920x1080_programme_complet.png\" width=\"600\"></a>\r\n\r\n<figcaption>© 2026 EPFL, Laura Persat</figcaption>\r\n</figure>\r\n</div>",
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            "keywords": "Installation artistique, robot, exposition",
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        {
            "id": 72521,
            "title": "Le Chantier - Film screening and discussion with director Jean-Stéphane Bron",
            "slug": "le-chantier-film-screening-and-discussion-with-dir",
            "event_url": "https://memento.epfl.ch/event/le-chantier-film-screening-and-discussion-with-dir",
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            "start_date": "2026-10-15",
            "end_date": "2026-10-15",
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            "description": "<div class=\"BCX2 Ltr OutlineElement SCXW74632052\"><strong>France / Switzerland, August 2025<br>\r\nFilm, documentary, 94 min. / VOSTEN<br>\r\nFollowing the film, <a href=\"http://www.visionsdureel.ch/anne-delseth-nouvelle-directrice-artistique-de-visions-du-reel/\">Anne Delseth</a>, artistic director of <a href=\"http://www.visionsdureel.ch/\">Visions du Réel</a>, will lead a discussion with director <a href=\"http://en.wikipedia.org/wiki/Jean-St%C3%A9phane_Bron\">Jean-Stéphane Bron</a> and the audience.</strong><br>\r\n<br>\r\nBehind the closed doors of an extraordinary construction site, filmmaker <a href=\"http://en.wikipedia.org/wiki/Jean-St%C3%A9phane_Bron\">Jean-Stéphane Bron</a> spent four years documenting the construction in Paris of the <a href=\"http://fr.wikipedia.org/wiki/Path%C3%A9_Palace_(Paris)\">Pathé Palace cinema</a>, a luxury theater designed by Italian architect Renzo Piano for the group led by producer Jérôme Seydoux, one of the most influential figures in French cinema.<br>\r\n<br>\r\nHis documentary <a href=\"http://www.swissfilms.ch/fr/movie/le-chantier/4d8f6696d1d740e392cf73c68db29f15\">Le Chantier</a> chronicles an extraordinary architectural adventure by offering a real-time portrait of a society in miniature, driven by a common goal: the construction of movie theaters for the coming century. From the architect to the master carpenters, from the construction foreman to the head of the Pathé Group, from the sound system designer to the future projectionists, the documentary paints a vivid, human-scale portrait of this community.<br>\r\n<br>\r\nLe Chantier premiered in 2025 at the Locarno Film Festival and was released in theaters in the spring of 2026. This film, screened at EPFL, echoes the Double Deck construction project currently underway in plain view of everyone. It raises questions about how to tell the story of complex realities. Ultimately, it also symbolizes a world yet to be built. Following the screening, there will be a discussion with director Jean-Stéphane Bron.<br>\r\n---</div>\r\n\r\n<div class=\"BCX2 Ltr OutlineElement SCXW74632052\"><strong><a href=\"https://en.wikipedia.org/wiki/Jean-St%C3%A9phane_Bron\">Jean-Stéphane Bron</a> </strong><br>\r\nJean-Stéphane Bron (born 1969 in Lausanne) is a graduate of the École Cantonale d’Art de Lausanne (ECAL). His documentaries address contemporary issues such as the crisis of democracy, the economic crisis, and the rise of populism, using dramatic techniques similar to those found in fiction. Among them, *Connu de nos services* (1997) addresses the scandal surrounding the political dossiers compiled by the Federal Police in the 1970s and 1980s. *Mais im Bundeshuus / Le Génie helvétique* (2003), one of Swiss cinema’s major box-office hits, follows the work of a parliamentary commission tasked with drafting a law on genetic engineering. *The Blocher Experiment* (2013) sparked intense controversy. *Cleveland vs. Wall Street* (2010), about the subprime mortgage crisis, was presented at the Cannes Film Festival (Directors’ Fortnight) and nominated for a César Award in France. His film *The Paris Opera* (2017) was subsequently widely distributed around the world. With this film, which drew more than 200,000 viewers to theaters, Jean-Stéphane Bron won the Swiss Film Award in the Best Documentary category for the third time in 2018. In 2021, Jean-Stéphane Bron released *Cinq nouvelles du cerveau*, a feature-length film that explores various mind-boggling questions related to advances in the fields of neuroscience and artificial intelligence. Between December 2021 and May 2022, he filmed the series *Ma rue de l’Ale* for RTS on his own street in Lausanne; the series was a huge hit with audiences.<br>\r\n<br>\r\nExploring reality through the eyes of those who shape it. Jean-Stéphane Bron’s unique art lies not merely in presenting the facts, but in understanding both the people involved and the systems within which they operate—systems that shape their actions.<br>\r\n<br>\r\n<strong>Partner: <a href=\"http://www.visionsdureel.ch/\">Visions du réel</a></strong><br>\r\n \r\n<figure class=\"image\"><a href=\"https://www.epfl.ch/campus/art-culture/fr/les-culturelles/les-culturelles-dautomne-2026/\"><img alt=\"Programme complet des Culturelles\" height=\"182\" src=\"https://www.epfl.ch/campus/art-culture/wp-content/uploads/2026/09/LES_CULTURELLES_1920x1080_programme_complet.png\" width=\"600\"></a>\r\n\r\n<figcaption>© 2026 EPFL, Laura Persat</figcaption>\r\n</figure>\r\n</div>",
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            "cancel_reason": "",
            "place_and_room": "Forum Rolex",
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            "speaker": "<a href=\"https://en.wikipedia.org/wiki/Jean-St%C3%A9phane_Bron\">Jean-Stéphane Bron</a>, réalisateur ",
            "organizer": "<a href=\"https://www.epfl.ch/campus/art-culture/fr/les-culturelles/\">Festival Les Culturelles</a> (Pôle Culture VPI)",
            "contact": "<a href=\"https://people.epfl.ch/veronique.mauron\">Véronique Mauron Layaz</a>",
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        {
            "id": 72214,
            "title": "Do Robots Dream of Construction Sites? / ARCHIZOOM  x CRCL",
            "slug": "do-robots-dream-of-construction-sites-archizoom--3",
            "event_url": "https://memento.epfl.ch/event/do-robots-dream-of-construction-sites-archizoom--3",
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            "lang": "en",
            "start_date": "2026-09-09",
            "end_date": "2026-12-05",
            "start_time": null,
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            "description": "<strong>DO ROBOTS DREAM OF CONSTRUCTION SITES?<br>\r\n09.09-05.12.2026<br>\r\n<br>\r\nOpening Tuesday 8 September<br>\r\n6.15pm – </strong>Discussion between Stefana Parascho and Aude Billard, moderated by Pier Vittorio Aureli<br>\r\n<strong>7.30pm –</strong> Opening doors and aperitive<br>\r\n<br>\r\nWhat if robots didn’t replace us, but worked alongside us? Robots are capable of assembling, analysing, experimenting and learning from their mistakes. Could they take on construction work without replacing human labour? Research carried out by the CRCL – Lab for Creative Computation at EPFL explores a form of collaboration between humans and machines that departs from the traditional promise of automation. It opens the way to more inclusive building sites and non-standardised, more environmentally friendly architecture that goes beyond the mere logic of replacement and productivity. <br>\r\n<br>\r\n<strong>An exhibition produced in collaboration with the <a href=\"https://www.crclcrclcrcl.org/\">CRCL – Lab for Creative Computation</a>, led by Stefana Parascho</strong>",
            "image_description": "",
            "creation_date": "2026-07-07T11:36:24",
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            "link_label": "Do Robots Dream of Construction Sites",
            "link_url": "https://www.epfl.ch/campus/art-culture/museum-exhibitions/archizoom/fr/do-robots-dream-of-construction-sites/",
            "canceled": "False",
            "cancel_reason": "",
            "place_and_room": "Archizoom",
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            "speaker": "CRCL - Lab for Creative Computation",
            "organizer": "Archizoom",
            "contact": "Cyril Veillon, Solène Hoffmann",
            "is_internal": "False",
            "theme": "",
            "vulgarization": {
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                "fr_label": "Tout public",
                "en_label": "General public"
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                "fr_label": "Entrée libre",
                "en_label": "Free"
            },
            "keywords": "Architecture, Technology, Construction, Robotic, Robots, Travail, Labor, Durability",
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