retrieve:
Return the details about the given Memento id.

list:
List all Memento objects.

GET /api/v1/mementos/32/events/?format=api&ordering=id
HTTP 200 OK
Allow: GET, HEAD, OPTIONS
Content-Type: application/json
Vary: Accept

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        {
            "id": 72346,
            "title": "School Lecture Series: Jo Taillieu / EPFL Architecture",
            "slug": "school-lecture-series-jo-taillieu-epfl-architectur",
            "event_url": "https://memento.epfl.ch/event/school-lecture-series-jo-taillieu-epfl-architectur",
            "visual_url": "https://memento.epfl.ch/image/33606/200x112.jpg",
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            "lang": "en",
            "start_date": "2026-10-06",
            "end_date": "2026-10-06",
            "start_time": "18:30:00",
            "end_time": "20:00:00",
            "description": "<strong>1:33/1:2</strong><br>\r\nOne of the most interesting public manifestations of learning in architecture are books about student‘s work. This lecture will present 1:33/1:2 new publication that showcases work by EPFL students. This book is exemplary in representing how learning architecture can be both a school reality and something that continues to inspire the architectural community at large. “About architectural tomography, about the importance of the drawing, about the book presentation 1:33/1:2, and about a special bookselling”<br>\r\n<br>\r\n<strong>Special book sale</strong><br>\r\n1:33/1:2 will be available for purchase at a special reduced student price exclusively on the evening of the lecture. A special opportunity to discover the publication and take home a copy at student price.<br>\r\n<br>\r\n<strong>Jo Taillieu</strong><br>\r\nJo Taillieu is a Belgian architect and professor at EPFL / studio LIF. After early roles at leading European architecture firms, including Maxwan architects (Rotterdam, NL) and Beel-Achtergael architecten (Ghent, BE), he became project director at Stéphane Beel – Xaveer De Geyter, contributing to the design and realisation of several public and private buildings. He later co-led architecten de vylder vinck taillieu, earning international recognition, including the Silver Lion for Promising Young Participant at the 16th Biennale of Venice, before refocusing on his own practice, JTA, from 2019 onward. JTA is worldwide published and awarded.<br>\r\n<br>\r\n<strong>Part of School Lecture Series, Autumn 2026, Learning Vol.1</strong><br>\r\nWe are told that learning is no longer confined to the school or the university, but it has become a continuous process that involves the totality of life. Yet in accepting this reality, we take for granted several questions that loom large within the contemporary idea of learning. In a time when technology and information are ubiquitous, does it still make sense that for learning to happen or be confined within a place? Is learning still an asymmetrical relationship where there are teachers and a student? And above all, is learning accessible, or has it become too expensive a commodity? In this lecture series, we’ll attempt to answer these questions by investigating learning on different levels such as technology, construction systems, educational spaces, and above all, making architecture. Indeed, the question that is more than anything else crucial to us is whether architecture is still a place of learning and not only of empowering those who have capital to build it. We will look at schools, drawings, robots, and measuring devices. We will ponder whether these things are only ‘tools’ to achieve a result or can still be vital places for learning. <br>\r\n<br>\r\n<strong>Recordings available on YouTube</strong><br>\r\n@epflarchitectureschool<br>\r\n<br>\r\n<strong>Graphic Design</strong><br>\r\nRoman Karrer &amp; Sandi Gazic",
            "image_description": "",
            "creation_date": "2026-08-14T16:36:48",
            "last_modification_date": "2026-08-17T13:15:17",
            "link_label": "Poster School Lecture Series Fall 2026",
            "link_url": "https://go.epfl.ch/school-lecture-series-fall-2026",
            "canceled": "False",
            "cancel_reason": "",
            "place_and_room": "Foyer SG",
            "url_place_and_room": "https://plan.epfl.ch/?room=%3DSG%20294.22&dim_floor=2&lang=fr&dim_lang=fr&tree_groups=centres_nevralgiques_grp%2Cmobilite_acces_grp%2Crestauration_et_commerces_grp%2Censeignement%2Cservices_campus_grp%2Cequipements_grp&tree_group_layers_centres_nevralgiques_grp=&tree_group_layers_mobilite_acces_grp=metro&tree_group_layers_restauration_et_commerces_grp=&tree_group_layers_enseignement=guichet_etudiants&tree_group_layers_services_campus_grp=information_epfl&tree_group_layers_equipements_grp=&baselayer_ref=grp_backgrounds&map_x=2532923&map_y=1152547&map_zoom=12",
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            "speaker": "Jo Taillieu",
            "organizer": "<a href=\"http://[email protected]\" target=\"_blank\">EPFL Architecture</a>",
            "contact": "<a href=\"http://[email protected]\" target=\"_blank\">EPFL Architecture</a>",
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        {
            "id": 72214,
            "title": "Do Robots Dream of Construction Sites? / ARCHIZOOM  x CRCL",
            "slug": "do-robots-dream-of-construction-sites-archizoom--3",
            "event_url": "https://memento.epfl.ch/event/do-robots-dream-of-construction-sites-archizoom--3",
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            "start_date": "2026-09-09",
            "end_date": "2026-12-05",
            "start_time": null,
            "end_time": null,
            "description": "<strong>DO ROBOTS DREAM OF CONSTRUCTION SITES?<br>\r\n09.09-05.12.2026<br>\r\n<br>\r\nOpening Tuesday 8 September<br>\r\n6.15pm – </strong>Discussion between Stefana Parascho and Aude Billard, moderated by Pier Vittorio Aureli<br>\r\n<strong>7.30pm –</strong> Opening doors and aperitive<br>\r\n<br>\r\nWhat if robots didn’t replace us, but worked alongside us? Robots are capable of assembling, analysing, experimenting and learning from their mistakes. Could they take on construction work without replacing human labour? Research carried out by the CRCL – Lab for Creative Computation at EPFL explores a form of collaboration between humans and machines that departs from the traditional promise of automation. It opens the way to more inclusive building sites and non-standardised, more environmentally friendly architecture that goes beyond the mere logic of replacement and productivity. <br>\r\n<br>\r\n<strong>An exhibition produced in collaboration with the <a href=\"https://www.crclcrclcrcl.org/\">CRCL – Lab for Creative Computation</a>, led by Stefana Parascho</strong>",
            "image_description": "",
            "creation_date": "2026-07-07T11:36:24",
            "last_modification_date": "2026-07-13T17:08:03",
            "link_label": "Do Robots Dream of Construction Sites",
            "link_url": "https://www.epfl.ch/campus/art-culture/museum-exhibitions/archizoom/fr/do-robots-dream-of-construction-sites/",
            "canceled": "False",
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            "speaker": "CRCL - Lab for Creative Computation",
            "organizer": "Archizoom",
            "contact": "Cyril Veillon, Solène Hoffmann",
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            "keywords": "Architecture, Technology, Construction, Robotic, Robots, Travail, Labor, Durability",
            "file": null,
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        {
            "id": 72280,
            "title": "Do Robots Dream of Construction Sites? / ARCHIZOOM  x CRCL",
            "slug": "do-robots-dream-of-construction-sites-archizoom--2",
            "event_url": "https://memento.epfl.ch/event/do-robots-dream-of-construction-sites-archizoom--2",
            "visual_url": "https://memento.epfl.ch/image/33548/200x112.jpg",
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            "lang": "en",
            "start_date": "2026-10-13",
            "end_date": "2026-10-24",
            "start_time": "17:30:00",
            "end_time": "18:30:00",
            "description": "<strong>Tuesday 13 October 2026 </strong><br>\r\n<strong>5.30pm –</strong> <a href=\"https://forms.gle/8mG39FYernNXnsJG6\">Guided tour</a> of the exhibition Do Robots Dream of Construction Sites?<br>\r\n<br>\r\nWhat if robots didn’t replace us, but worked alongside us? Robots are capable of assembling, analysing, experimenting and learning from their mistakes. Could they take on construction work without replacing human labour? Research carried out by the CRCL – Lab for Creative Computation at EPFL explores a form of collaboration between humans and machines that departs from the traditional promise of automation. It opens the way to more inclusive building sites and non-standardised, more environmentally friendly architecture that goes beyond the mere logic of replacement and productivity. <br>\r\n<br>\r\n<strong>This event will be followed by the opening of the installation NO/NC (Normally Open, Normally Closed) by the artists AATB, supported and organized in collaboration with Usinesonore and Pôle Culture (VPI).</strong>",
            "image_description": "",
            "creation_date": "2026-07-27T16:05:04",
            "last_modification_date": "2026-09-15T17:26:38",
            "link_label": "Vernissage Julian Sartorius x AATB",
            "link_url": "https://www.epfl.ch/campus/art-culture/museum-exhibitions/archizoom/fr/no-nc-normally-open-normally-closed-aatb-2/",
            "canceled": "False",
            "cancel_reason": "",
            "place_and_room": "Hall SG",
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            "speaker": "Stefana Parascho",
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            "contact": "Cyril Veillon, Solène Hoffmann",
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            "keywords": "architecture, performance, technology, robotics",
            "file": null,
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                "id": 9,
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        {
            "id": 72521,
            "title": "Le Chantier - Film screening and discussion with director Jean-Stéphane Bron",
            "slug": "le-chantier-film-screening-and-discussion-with-dir",
            "event_url": "https://memento.epfl.ch/event/le-chantier-film-screening-and-discussion-with-dir",
            "visual_url": "https://memento.epfl.ch/image/33779/200x112.jpg",
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            "lang": "en",
            "start_date": "2026-10-15",
            "end_date": "2026-10-15",
            "start_time": "18:15:00",
            "end_time": "20:15:00",
            "description": "<div class=\"BCX2 Ltr OutlineElement SCXW74632052\"><strong>France / Switzerland, August 2025<br>\r\nFilm, documentary, 94 min. / VOSTEN<br>\r\nFollowing the film, <a href=\"http://www.visionsdureel.ch/anne-delseth-nouvelle-directrice-artistique-de-visions-du-reel/\">Anne Delseth</a>, artistic director of <a href=\"http://www.visionsdureel.ch/\">Visions du Réel</a>, will lead a discussion with director <a href=\"http://en.wikipedia.org/wiki/Jean-St%C3%A9phane_Bron\">Jean-Stéphane Bron</a> and the audience.</strong><br>\r\n<br>\r\nBehind the closed doors of an extraordinary construction site, filmmaker <a href=\"http://en.wikipedia.org/wiki/Jean-St%C3%A9phane_Bron\">Jean-Stéphane Bron</a> spent four years documenting the construction in Paris of the <a href=\"http://fr.wikipedia.org/wiki/Path%C3%A9_Palace_(Paris)\">Pathé Palace cinema</a>, a luxury theater designed by Italian architect Renzo Piano for the group led by producer Jérôme Seydoux, one of the most influential figures in French cinema.<br>\r\n<br>\r\nHis documentary <a href=\"http://www.swissfilms.ch/fr/movie/le-chantier/4d8f6696d1d740e392cf73c68db29f15\">Le Chantier</a> chronicles an extraordinary architectural adventure by offering a real-time portrait of a society in miniature, driven by a common goal: the construction of movie theaters for the coming century. From the architect to the master carpenters, from the construction foreman to the head of the Pathé Group, from the sound system designer to the future projectionists, the documentary paints a vivid, human-scale portrait of this community.<br>\r\n<br>\r\nLe Chantier premiered in 2025 at the Locarno Film Festival and was released in theaters in the spring of 2026. This film, screened at EPFL, echoes the Double Deck construction project currently underway in plain view of everyone. It raises questions about how to tell the story of complex realities. Ultimately, it also symbolizes a world yet to be built. Following the screening, there will be a discussion with director Jean-Stéphane Bron.<br>\r\n---</div>\r\n\r\n<div class=\"BCX2 Ltr OutlineElement SCXW74632052\"><strong><a href=\"https://en.wikipedia.org/wiki/Jean-St%C3%A9phane_Bron\">Jean-Stéphane Bron</a> </strong><br>\r\nJean-Stéphane Bron (born 1969 in Lausanne) is a graduate of the École Cantonale d’Art de Lausanne (ECAL). His documentaries address contemporary issues such as the crisis of democracy, the economic crisis, and the rise of populism, using dramatic techniques similar to those found in fiction. Among them, *Connu de nos services* (1997) addresses the scandal surrounding the political dossiers compiled by the Federal Police in the 1970s and 1980s. *Mais im Bundeshuus / Le Génie helvétique* (2003), one of Swiss cinema’s major box-office hits, follows the work of a parliamentary commission tasked with drafting a law on genetic engineering. *The Blocher Experiment* (2013) sparked intense controversy. *Cleveland vs. Wall Street* (2010), about the subprime mortgage crisis, was presented at the Cannes Film Festival (Directors’ Fortnight) and nominated for a César Award in France. His film *The Paris Opera* (2017) was subsequently widely distributed around the world. With this film, which drew more than 200,000 viewers to theaters, Jean-Stéphane Bron won the Swiss Film Award in the Best Documentary category for the third time in 2018. In 2021, Jean-Stéphane Bron released *Cinq nouvelles du cerveau*, a feature-length film that explores various mind-boggling questions related to advances in the fields of neuroscience and artificial intelligence. Between December 2021 and May 2022, he filmed the series *Ma rue de l’Ale* for RTS on his own street in Lausanne; the series was a huge hit with audiences.<br>\r\n<br>\r\nExploring reality through the eyes of those who shape it. Jean-Stéphane Bron’s unique art lies not merely in presenting the facts, but in understanding both the people involved and the systems within which they operate—systems that shape their actions.<br>\r\n<br>\r\n<strong>Partner: <a href=\"http://www.visionsdureel.ch/\">Visions du réel</a></strong><br>\r\n \r\n<figure class=\"image\"><a href=\"https://www.epfl.ch/campus/art-culture/fr/les-culturelles/les-culturelles-dautomne-2026/\"><img alt=\"Programme complet des Culturelles\" height=\"182\" src=\"https://www.epfl.ch/campus/art-culture/wp-content/uploads/2026/09/LES_CULTURELLES_1920x1080_programme_complet.png\" width=\"600\"></a>\r\n\r\n<figcaption>© 2026 EPFL, Laura Persat</figcaption>\r\n</figure>\r\n</div>",
            "image_description": "",
            "creation_date": "2026-09-03T18:19:57",
            "last_modification_date": "2026-09-22T13:55:33",
            "link_label": "Programme complet des Culturelles",
            "link_url": "https://www.epfl.ch/campus/art-culture/fr/les-culturelles/les-culturelles-dautomne-2026/",
            "canceled": "False",
            "cancel_reason": "",
            "place_and_room": "Forum Rolex",
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            "speaker": "<a href=\"https://en.wikipedia.org/wiki/Jean-St%C3%A9phane_Bron\">Jean-Stéphane Bron</a>, réalisateur ",
            "organizer": "<a href=\"https://www.epfl.ch/campus/art-culture/fr/les-culturelles/\">Festival Les Culturelles</a> (Pôle Culture VPI)",
            "contact": "<a href=\"https://people.epfl.ch/veronique.mauron\">Véronique Mauron Layaz</a>",
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        {
            "id": 72580,
            "title": "Collective Figurations of Baukultur",
            "slug": "collective-figurations-of-baukultur",
            "event_url": "https://memento.epfl.ch/event/collective-figurations-of-baukultur",
            "visual_url": "https://memento.epfl.ch/image/33828/200x112.jpg",
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            "lang": "en",
            "start_date": "2026-10-21",
            "end_date": "2026-10-22",
            "start_time": "09:00:00",
            "end_time": "17:00:00",
            "description": "<strong>Collective Figurations of Baukultur</strong><br>\r\n<br>\r\nArchitectural representation has often dissociated its production from its product, trapped in loops of identification, reproduction and mimesis which have only increased under technocapitalism. Today, our cities and environments are measured to the detail and seemingly overrepresented through proliferating digital twins, predictive models and simulations, indicators and benchmarks. These operative visualizations which reduce the world to computable data, no longer merely describe reality: they organize, mobilize, and activate matter. They function as automated, asignifying spatial infrastructures, while progressively dispensing with a symbolic mediation increasingly deemed unnecessary and, just as often, a problematic source of ambiguity.<br>\r\nDigital twins, predictive models and simulations, indicators and benchmarks are a constitutive part of an expanding culture of immediacy (Kornbluh, 2024), where the critique of mediation carried out by the likes of Theodor Adorno or Henri Lefebvre is resolved not through its impossible disappearance, but through its naturalization. Subsumed within the environmental interface of capital and technology (Hörl 2017), mediation is subsequently desocialized and depoliticized.<br>\r\nHowever, without collective figurations, there is no possibility of common horizons, and our capacity to bring about democratic and inclusive transformations of our cities and territories falters. In the SNSF project Infrastructural Baukultur, ALICE (Atelier de la Conception de l'Espace) is exploring ways to leverage the constructed nature of all representations in the co-design of our cities. As part of this project, the aim of this two-day course is to focus on the theoretical and historical frameworks of this question.<br>\r\nDuring the 1980s, as the cultural and literary critic Fredric Jameson developed a spatial analysis of the historical stages of capitalism, he arrived (not uncritically) at the work of MIT urban theorist Kevin Lynch, particularly The Image of the City (1960). If Lynch had suggested that urban alienation was directly proportional to the impossibility of creating an (individual) mental image of the city, Jameson went further, contending that our \"incapacity to map socially (is) as crippling to political experience as the analogous incapacity to map spatially is for urban experience.\" From there, he went on to develop the idea of cognitive mapping as an aesthetic strategy, arguing that, even when the structural coordinates of individual and social life become unrepresentable, they can still find figures and figurations through which to express themselves in allegorical, i.e. distorted and symbolic, ways.<br>\r\nLater on, feminist scholars Donna Haraway and Rosi Braidotti described figurations as \"materialistic mappings of situated, i.e., embedded and embodied, social positions\" (Braidotti 2011), noting that even if \"figures pertain to graphic representation and visual forms in general, (they) do not have to be representational and mimetic, (...) they do have to be tropic, performative images that can be inhabited, condensed maps of contestable worlds. (…) The chip, seed, or gene is simultaneously literal and figurative. We inhabit and are inhabited by such figures that map universes of knowledge, practice and power\" (Haraway 1997). Departing from these premises and mirroring Jameson's journey, this time back into architecture and urban design, this course seeks to construct, historically and theoretically, the concept of figuration as an allegorical and material practice capable of mapping contestable and individually inaccessible realities, a tropic and political instrument that short circuits equivalences and unsettles certainties. From there, it will encourage a critical debate around a series of interrelated questions at the core of architectural practice and academia today.<br>\r\nHow does design research connect with the fields of architectural history, theory and practice? What challenges are posed to collective figuration by an unrepresentable capitalism, fragmented habitats, and infrastructured perceptions? Can a critical understanding of the abstract, ideological nature of operative representations help us repoliticize urban production? Can we trace alternative genealogies of architectural, urban, and landscape representation that reveal forms of agency and collectivity capable of overcoming the traps of immediacy? Can space, both as an abstraction and as a lived, grounded experience, become a translation device within inter-, intra-, and transdisciplinary processes?<br>\r\nTo this end, the course will begin with an introductory session that develops a common framework by articulating, both historically and conceptually, the notion of figuration and its role within design methods, in contrast to the operational visualizations of environmentality. This framework will orient the subsequent lectures and discussions with our four invited speakers:<br>\r\n<br>\r\n• <strong>Anna Kornbluh, </strong>Professor of English at University of Illinois Chicago and author of Immediacy: Or, The Style of Too Late Capitalism (2024), will offer us a critical reflection on the political consequences of our contemporary regime of aesthetic and technological immediacy.<br>\r\n• <strong>Marc Schoonderbeek</strong>, Associate Professor of Architecture and Head of the Borders and Territories research group at TU Delft, will discuss the multilayered role of representation within design research strategies.<br>\r\n• <strong>Marina Otero Verzier</strong>, architect and researcher, leading the Data Mourning Clinic at Columbia University GSAPP, will delve into the tension between digital custodianship and the unsustainable practices of the data storage industry through the lens of Tuvalu's digital twin.<br>\r\n• <strong>Ignacio Farías</strong>, Professor of Urban Anthropology, Director of the Georg Simmel Center for Urban Studies and Co-Director of the Stadtlabor for Multimodal Anthropology at Humboldt-Universität zu Berlin, will present his ongoing work on spatial figures within urban transformation processes.<br>\r\n<br>\r\nInterested participants are invited to submit, by October 9, a short abstract (max. 300 words) outlining their approach to the subject, which will be developed into a short essay during the seminar. 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            "id": 72598,
            "title": "Pressure Points: Risk - Sonia Seneviratne / RIOT, MAS UTD",
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            "description": "<p>“To emphasize (...) dubious uses of risk is perverse, a dirty way of talking about a<br>\r\nclean scientific subject”<br>\r\nMary Douglas, <em>Risk and Blame,</em> 36.<br>\r\n<br>\r\nAs the baseline condition of so many territories shaped by extractive industries, administrative delay, and climatic instability, risk is prevalent. Yet ecological risk—pollution, fires, floods, heatwaves, droughts—is still presented as problems to be solved rather than conditions to be inhabited. This also speaks to an outsourcing of risk through externalized consequences of spatial injustice. Banks, developers, material supply chains, normative institutions, subcontracting hierarchies —all contend with calculated risk. This edition of <u>Pressure Points</u> asks us to unpack what it means to live with the risk, how it is managed, commodified, quantified, invented, politicized, instrumentalized, tamed, and to think, design, cohabitate intellectually and physically with it. The assembled guests should help us think and build literacy toward developing tools for living within uncertain territories and futures. <br>\r\n<br>\r\n<u>Sonia Seneviratne</u><br>\r\nMonday, October 26, 17:00 CET<br>\r\n<br>\r\n<a href=\"https://usys.ethz.ch/en/people/profile.seneviratne.html\"><u>Sonia Seneviratne</u></a> is a Full Professor in Land-Climate Dynamics at ETH Zurich, with a focus on climate science and environmental physics. She conducts research on climate extremes such as droughts, land-climate processes, and human-induced climate change, based on climate modelling and data analyses. Listed among the Highly Cited Researchers of Web of Science (Clarivate) since 2014, she was a Coordinating Lead Author and Lead Author on several reports of the Intergovernmental Panel on Climate Change (IPCC), including the Special Report on Extreme Events, the Special Report on Global Warming of 1.5°C, and the Sixth Assessment Report in 2021. Seneviratne has received the Macelwane Medal of the American Geophysical Union in 2013 and the Hans-Oeschger Medal of the European Geosciences Union. Since July 2023, she serves as IPCC Working Group I Vice-Chair for the seventh assessment cycle (2023–2030). Her most recent contribution, published in June 2026, is the release of MESMER v1.0.0, an open-source climate model emulator she helped develop as part of her research group. It reproduces the spatial climate patterns of complex Earth System Models, including temperature and several climate-extreme indicators, making detailed climate information accessible to the wider research community.<br>\r\n<br>\r\n<a href=\"https://www.riot.today/\">RIOT (Research and Innovation on Territory)</a> is a laboratory engaged in pedagogy and research within the Institute of Architecture (ENAC) at the Swiss Federal Institute of Technology–EPFL, led by Charlotte Malterre-Barthes with Elif Erez, Flore Guichot, Jeremy Ratib, Summer Islam, Antoine Iweins, Kathy Kao, Nathalie Marj, Romain Dubetier-Grenier, Sylvie Clavel, and Saira Mohammed. Believing that the construction sector and design disciplines must pivot and wholeheartedly engage in the current social and climatic urgencies by rewiring themselves to face and repair the harm, RIOT utilizes tactics and strategies to decarbonize, decolonize, and depatriarchalize space production–by design. <br>\r\n<br>\r\n </p>",
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            "speaker": "<a href=\"https://usys.ethz.ch/en/people/profile.seneviratne.html\"><u>Sonia Seneviratne</u></a> is a Full Professor in Land-Climate Dynamics at ETH Zurich, with a focus on climate science and environmental physics. She conducts research on climate extremes such as droughts, land-climate processes, and human-induced climate change, based on climate modelling and data analyses. Listed among the Highly Cited Researchers of Web of Science (Clarivate) since 2014, she was a Coordinating Lead Author and Lead Author on several reports of the Intergovernmental Panel on Climate Change (IPCC), including the Special Report on Extreme Events, the Special Report on Global Warming of 1.5°C, and the Sixth Assessment Report in 2021. Seneviratne has received the Macelwane Medal of the American Geophysical Union in 2013 and the Hans-Oeschger Medal of the European Geosciences Union. Since July 2023, she serves as IPCC Working Group I Vice-Chair for the seventh assessment cycle (2023–2030). Her most recent contribution, published in June 2026, is the release of MESMER v1.0.0, an open-source climate model emulator she helped develop as part of her research group. It reproduces the spatial climate patterns of complex Earth System Models, including temperature and several climate-extreme indicators, making detailed climate information accessible to the wider research community.",
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        {
            "id": 72347,
            "title": "School Lecture Series: Thomas Friberg + Sophie Piticco, pool Architektur / EPFL Architecture",
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            "description": "<strong>Building for Disassembly<br>\r\nTemporary Sports Halls, Huts and a Hotel</strong><br>\r\nGrowing student numbers and the need to renovate numerous school facilities prompted the Canton of Zurich to seek a temporary solution for sports facilities. Each building is intended to remain at a given location between three to fifteen years, until it is either relocated or stored for future reassembly. pool Architektur responded by designing a prefabricated timber construction system that enables a variety of spatial configurations and appearances, allowing for careful integration into the surrounding environment. Other projects such as the room-within-a-room installation for “El Gato Muerto” or the temporary hotel “Momentum” have evolved as a result of pool’s building for disassembly.<br>\r\n<br>\r\n<strong>Thomas Friberg + Sophie Piticco, pool Architektur</strong><br>\r\npool Architektur evolved from a discussion platform for debates on architecture and urban planning and began its practical work as a collective in 1998. The office and its form are understood as a work in progress with regard to an ever-changing profession. The office has won numerous competitions and is primarily active in urban planning at different scales as well as residential, infrastructure and public building construction. Over the past decades, ideas and solutions have changed, as have names and faces, because diversity and change are at the heart of pool Architektur’s identity. <br>\r\n<br>\r\nThomas Friberg studied architecture at ETH Zurich. After graduating, he worked at ETH Studio Basel, David Chipperfield Architects, joining pool in 2008. In 2018 he was admitted as a new partner. <br>\r\n<br>\r\nSophie Piticco studied architecture at EPF Lausanne and ETH Zurich. After internships in Munich and Helsinki, she joined pool Architektur after graduating in 2017. Since 2023 she is an associate at the firm.<br>\r\n<br>\r\n<strong>Part of School Lecture Series, Autumn 2026, Learning Vol.1</strong><br>\r\nWe are told that learning is no longer confined to the school or the university, but it has become a continuous process that involves the totality of life. Yet in accepting this reality, we take for granted several questions that loom large within the contemporary idea of learning. In a time when technology and information are ubiquitous, does it still make sense that for learning to happen or be confined within a place? Is learning still an asymmetrical relationship where there are teachers and a student? And above all, is learning accessible, or has it become too expensive a commodity? In this lecture series, we’ll attempt to answer these questions by investigating learning on different levels such as technology, construction systems, educational spaces, and above all, making architecture. Indeed, the question that is more than anything else crucial to us is whether architecture is still a place of learning and not only of empowering those who have capital to build it. We will look at schools, drawings, robots, and measuring devices. We will ponder whether these things are only ‘tools’ to achieve a result or can still be vital places for learning. <br>\r\n<br>\r\n<strong>Recordings available on YouTube</strong><br>\r\n@epflarchitectureschool<br>\r\n<br>\r\n<strong>Graphic Design</strong><br>\r\nRoman Karrer &amp; Sandi Gazic",
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        {
            "id": 72599,
            "title": "Pressure Points: Risk - Liam Ross / RIOT, MAS UTD",
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            "description": "<p>“To emphasize (...) dubious uses of risk is perverse, a dirty way of talking about a<br>\r\nclean scientific subject”<br>\r\nMary Douglas, <em>Risk and Blame,</em> 36.<br>\r\n<br>\r\nAs the baseline condition of so many territories shaped by extractive industries, administrative delay, and climatic instability, risk is prevalent. Yet ecological risk—pollution, fires, floods, heatwaves, droughts—is still presented as problems to be solved rather than conditions to be inhabited. This also speaks to an outsourcing of risk through externalized consequences of spatial injustice. Banks, developers, material supply chains, normative institutions, subcontracting hierarchies —all contend with calculated risk. This edition of <u>Pressure Points</u> asks us to unpack what it means to live with the risk, how it is managed, commodified, quantified, invented, politicized, instrumentalized, tamed, and to think, design, cohabitate intellectually and physically with it. The assembled guests should help us think and build literacy toward developing tools for living within uncertain territories and futures. <br>\r\n<br>\r\n<u>Liam Ross </u><br>\r\nTuesday,  November 3, 17:00 CET<br>\r\n<br>\r\n<a href=\"https://www.eca.ed.ac.uk/profile/dr-liam-ross\"><u>Liam Ross</u></a> is an architect and senior lecturer in Architectural Design at the University of Edinburgh, with a focus on building standardisation as a mode of architectural design, and in particular on fire-safety regulation. He also examines how those standards produce surprising side-effects as they are reinterpreted in practice. His book Pyrotechnic Cities: Architecture, Fire-Safety and Standardisation was published by Routledge in 2022, and describes the way that architectural design is an instrument of political agency. <br>\r\nHis work has been exhibited and published widely, including in Architectural Research Quarterly (arq), Arch+, and journalistic outlets such as Blueprint, Prospect, and Volume.<br>\r\nRoss has experience of practice in the UK and US, including a period of 5 years with Malcolm Fraser Architects, and maintains a relationship with professional practice as co-founder of ESALA Projects, a consultancy offering pro-bono and for-fee design services to public and third-sector clients. His most recent work, published in January 2026 in Architectural Research Quarterly, includes a co-authored article with Jon Goodbun entitled ‘Design and the extended building site: Ecologies of production and the production of ecologies’, which reframes the building site as an 'extended' socioecological system reaching across the global supply chains, material extraction, and labour that construction depends on, arguing that building is an ecological and political process rather than a purely material one.<br>\r\n<br>\r\n<a href=\"https://www.riot.today/\">RIOT (Research and Innovation on Territory)</a> is a laboratory engaged in pedagogy and research within the Institute of Architecture (ENAC) at the Swiss Federal Institute of Technology–EPFL, led by Charlotte Malterre-Barthes with Elif Erez, Flore Guichot, Jeremy Ratib, Summer Islam, Antoine Iweins, Kathy Kao, Nathalie Marj, Romain Dubetier-Grenier, Sylvie Clavel, and Saira Mohammed. Believing that the construction sector and design disciplines must pivot and wholeheartedly engage in the current social and climatic urgencies by rewiring themselves to face and repair the harm, RIOT utilizes tactics and strategies to decarbonize, decolonize, and depatriarchalize space production–by design. <br>\r\n </p>",
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            "title": "Technologies for Healthcare / ARCHIZOOM",
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            "description": "<strong>Saturday 7 &amp; Sunday 8 November 2026</strong><br>\r\n<strong>10am-5pm –</strong> <strong>exhibition open continuously </strong><br>\r\n<br>\r\nOn the occasion of the next <a href=\"https://scientastic.epfl.ch/\">Scientastic</a> event, which takes place on the weekend of 7 and 8 November 2026 on the EPFL campus, with a focus on health technologies, Archizoom invites you to take part in a range of activities linked to the exhibition <a href=\"https://www.epfl.ch/campus/art-culture/museum-exhibitions/archizoom/do-robots-dream-of-construction-sites-2/\"><em>Do Robots Dream of Construction Sites? </em></a><br>\r\n<br>\r\n<strong><a href=\"https://forms.gle/8mG39FYernNXnsJG6\">GUIDED TOURS </a><br>\r\n11am / 4pm – </strong><strong><em>Do Robots Dream of Construction Sites? </em>in French</strong><br>\r\nCan we trust a robot on a building site? This guided tour explores what it means to build alongside increasingly capable machines, and how collaboration between humans and robots could affect our buildings, our trades and, by extension, our daily lives and health.<br>\r\n<br>\r\n<em><strong>SOCIAL CONTRACT 4.0, </strong></em><strong>MADELINE GANNON</strong><br>\r\n<strong>10am-5pm – an interactive robotic installation by the artist Madeline Gannon</strong><br>\r\nThe robots that build our world do exactly what they are told, when they are told, where they are told. But that relationship is ending: physical AI is giving our machines the intelligence to explore our world for themselves. What should they do with their newfound curiosity? This installation explores a new social contract with autonomous, intelligent systems (4.0) — one built on convincing, not controlling, machines. As you approach, the machine may choose to interact with you, or it may be too busy having fun on its own. It gets to decide. This work asks what it means to share a world with technology whose trust we may need to earn first.",
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        {
            "id": 72348,
            "title": "School Lecture Series: NP2F architectes / EPFL Architecture",
            "slug": "school-lecture-series-np2f-architectes-epfl-archit",
            "event_url": "https://memento.epfl.ch/event/school-lecture-series-np2f-architectes-epfl-archit",
            "visual_url": "https://memento.epfl.ch/image/33608/200x112.jpg",
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            "start_date": "2026-11-10",
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            "start_time": "18:30:00",
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            "description": "<strong>IMVT – Supporter de la Ville</strong><br>\r\nThe Mediterranean Institute for the City and Territories, designed in collaboration with Marion Bernard, Point Suprem, Jacques Lucan and Atelier Roberta, is a unifying entity rather than the simple sum of three existing schools (architecture, urban planning, and landscape studies). The Institute’s purpose is to physically foster relationships, exchanges, and collaborations between the three institutions and their immediate as well as broader environment. The architecture of the Institute is therefore intentionally open to the city. From Porte d’Aix Square, this small campus stands out, day and night, as a welcoming presence.<br>\r\n<br>\r\n<strong>NP2F architectes</strong><br>\r\nNP2F is an architecture firm founded in 2009 by François Chas, Nicolas Guérin, Fabrice Long, and Paul Maitre Devallon. Today, it brings together around twenty team members split between Marseille and Paris, and works in various cities across France and abroad. The projects NP2F engages in are both architectural and urban, and its areas of expertise include sports facilities, cultural and educational buildings, leisure and dining venues, and public space.<br>\r\n<br>\r\n<strong>Part of School Lecture Series, Autumn 2026, Learning Vol.1</strong><br>\r\nWe are told that learning is no longer confined to the school or the university, but it has become a continuous process that involves the totality of life. Yet in accepting this reality, we take for granted several questions that loom large within the contemporary idea of learning. In a time when technology and information are ubiquitous, does it still make sense that for learning to happen or be confined within a place? Is learning still an asymmetrical relationship where there are teachers and a student? And above all, is learning accessible, or has it become too expensive a commodity? In this lecture series, we’ll attempt to answer these questions by investigating learning on different levels such as technology, construction systems, educational spaces, and above all, making architecture. Indeed, the question that is more than anything else crucial to us is whether architecture is still a place of learning and not only of empowering those who have capital to build it. We will look at schools, drawings, robots, and measuring devices. We will ponder whether these things are only ‘tools’ to achieve a result or can still be vital places for learning. <br>\r\n<br>\r\n<strong>Recordings available on YouTube</strong><br>\r\n@epflarchitectureschool<br>\r\n<br>\r\n<strong>Graphic Design</strong><br>\r\nRoman Karrer &amp; Sandi Gazic",
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                "fr_label": "Conférences - Séminaires",
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