retrieve:
Return the details about the given Event id.

list:
List all Event objects.

GET /api/v1/events/?format=api&offset=160&ordering=event__speaker
HTTP 200 OK
Allow: GET, HEAD, OPTIONS
Content-Type: application/json
Vary: Accept

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            "id": 72749,
            "title": "Gentle and Robust Dyes for Dynamic Super-Resolution Imaging",
            "slug": "gentle-and-robust-dyes-for-dynamic-super-resolutio",
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            "start_date": "2026-10-12",
            "end_date": "2026-10-12",
            "start_time": "14:15:00",
            "end_time": "15:15:00",
            "description": "<strong>Abstract:</strong><br>\r\n<br>\r\nLive-cell imaging technology is advancing into the era of dynamic super-resolution imaging of organelles and specific proteins, placing new demands on the optical properties of fluorescent probes. Traditional live-cell fluorescent probes face two critical technical challenges:\r\n<ol>\r\n\t<li>How to make fluorescent probes brighter and more photostable.</li>\r\n\t<li>How to make fluorescent probes gentler to minimize the photodamage of organelles.</li>\r\n</ol>\r\nBased on the fundamental principles of photochemistry and biochemistry, we have developed a new generation of live-cell imaging probes that far surpass traditional probes in brightness, photostability, and biocompatibility. These probes enable long-term super-resolution imaging of mitochondria, insulin vesicle secretion, plasma membrane dynamics, lysosomes, and more. Our representative achievements include: The PK Mito and PK Zinc dye series, widely used in mitochondrial and insulin secretion imaging. The BD series of novel fluorophores, in conjunction with self-labeling tags, offer general protein labeling strategies with superior optical properties compared to fluorescent proteins.<br>\r\n<br>\r\n==================================================<br>\r\n<br>\r\n<strong>Brief Biography:<br>\r\n<br>\r\nDr. Zhixing Chen, Associate Professor</strong><br>\r\n<strong>College of Future Technology</strong><br>\r\n<strong>Peking University</strong><br>\r\n<br>\r\nDr. Zhixing Chen is a tenured associate professor at the College of Future Technology, Peking University. He received his BS from Tsinghua University in 2008 and his PhD from Columbia University in 2014. He subsequently completed postdoctoral training at Columbia University in 2015 and at Stanford University from 2016 to 2018.<br>\r\nThe Chen Lab at Peking University was established in 2018. The lab endeavors to integrate chemistry and biochemistry to develop new imaging tools with high brightness, specificity, and biocompatibility, with the goal of advancing bioimaging technologies and enabling new approaches in cell biology, metabolism, and biophysics.<br>\r\n<br>\r\n<strong>Website: </strong><a href=\"https://zhixingchenlab.mysxl.cn/\"><strong>https://zhixingchenlab.mysxl.cn/</strong></a>",
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            "id": 72520,
            "title": "Pétrichor - Sculptures",
            "slug": "petrichor-sculptures-2",
            "event_url": "https://memento.epfl.ch/event/petrichor-sculptures-2",
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            "start_date": "2026-10-15",
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            "description": "<strong>Opening: Thursday, October 15, at 12:00 p.m.<br>\r\nExhibition on view through December 10, 2026<br>\r\n<br>\r\nBy and in collaboration with the AAIE </strong>(Association of Artist-Engineers at EPFL)<br>\r\n<br>\r\nRain is essential to the cycle of life, and we sometimes forget how important it is. The Petrichor installation aims to restore rain’s central role and encourage reflection on its presence. <br>\r\n<br>\r\nThe installation consists of two parts:<br>\r\n \r\n<ul>\r\n\t<li><strong>A 1-square-meter funnel </strong>that collects rainwater while amplifying its sound. The funnel is modeled after a flower—the bromeliad—which naturally collects rainwater. The water is then channeled into the second part of the installation.<br>\r\n\t.</li>\r\n\t<li><strong>A wooden cabinet containing 63 plastic containers, each holding 5 liters.</strong> All the containers are connected to one another by a system of pipes; the rainwater fills the containers from the bottom up. The 10 containers at the bottom of the cabinet are marked in blue; this corresponds to the minimum daily water intake for one person, as defined by the WHO, which is 50 liters. The containers above them—totaling 265 liters—represent the average water consumption of a person in Switzerland, as reported by the Federal Statistical Office. This cabinet highlights the contrast between these two volumes. By relating these figures to the collected rainwater, the installation demonstrates that water remains a limited resource and is therefore a major challenge for the world today and in the future.</li>\r\n</ul>\r\n\r\n<div class=\"BCX2 Ltr OutlineElement SCXW43647999\">The installation has aesthetic and auditory elements designed to enliven the campus and demonstrate a commitment to sustainability. Its goal is to encourage students to reflect on water usage and spark new ideas for managing this resource.<br>\r\n<br>\r\nLaunched in 2025, Petrichor is a project developed by the <strong>AAIE (Association of Artist-Engineers at EPFL),</strong> which aims to build a community around contemporary art on campus by organizing meetings with artists and museum outings. The association also provides students with opportunities to develop their own artistic creations.<br>\r\n<br>\r\nThis project received support from the Pôle Culture (VPI) as part of a <strong><a href=\"http://www.epfl.ch/campus/art-culture/fr/bourses-pour-projets-artistiques/\">competition</a></strong> held twice a year for student associations involved in campus culture.<br>\r\n \r\n<figure class=\"image\"><a href=\"https://www.epfl.ch/campus/art-culture/fr/les-culturelles/les-culturelles-dautomne-2026/\"><img alt=\"Programme complet des Culturelles\" height=\"182\" src=\"https://www.epfl.ch/campus/art-culture/wp-content/uploads/2026/09/LES_CULTURELLES_1920x1080_programme_complet.png\" width=\"600\"></a>\r\n\r\n<figcaption>© 2026 EPFL, Laura Persat</figcaption>\r\n</figure>\r\n</div>",
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            "id": 72587,
            "title": "Performance trade-offs and gait adaptation strategies in undulatory swimming characterised via bio-inspired robotics",
            "slug": "performance-trade-offs-and-gait-adaptation-strateg",
            "event_url": "https://memento.epfl.ch/event/performance-trade-offs-and-gait-adaptation-strateg",
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            "lang": "en",
            "start_date": "2026-10-09",
            "end_date": "2026-10-09",
            "start_time": "17:30:00",
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            "description": "<p>Thesis Directors: Prof. K. A. J. Mulleners, Prof. A. Ijspeert<br>\r\nMechanics doctoral program<br>\r\nThesis Nr. 11364<br>\r\n<br>\r\nTo take part in the public defense, please contact directly the speaker</p>",
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            "speaker": "<strong>Alexandros ANASTASIADIS</strong>",
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        {
            "id": 72580,
            "title": "Collective Figurations of Baukultur",
            "slug": "collective-figurations-of-baukultur",
            "event_url": "https://memento.epfl.ch/event/collective-figurations-of-baukultur",
            "visual_url": "https://memento.epfl.ch/image/33828/200x112.jpg",
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            "lang": "en",
            "start_date": "2026-10-21",
            "end_date": "2026-10-22",
            "start_time": "09:00:00",
            "end_time": "17:00:00",
            "description": "<strong>Collective Figurations of Baukultur</strong><br>\r\n<br>\r\nArchitectural representation has often dissociated its production from its product, trapped in loops of identification, reproduction and mimesis which have only increased under technocapitalism. Today, our cities and environments are measured to the detail and seemingly overrepresented through proliferating digital twins, predictive models and simulations, indicators and benchmarks. These operative visualizations which reduce the world to computable data, no longer merely describe reality: they organize, mobilize, and activate matter. They function as automated, asignifying spatial infrastructures, while progressively dispensing with a symbolic mediation increasingly deemed unnecessary and, just as often, a problematic source of ambiguity.<br>\r\nDigital twins, predictive models and simulations, indicators and benchmarks are a constitutive part of an expanding culture of immediacy (Kornbluh, 2024), where the critique of mediation carried out by the likes of Theodor Adorno or Henri Lefebvre is resolved not through its impossible disappearance, but through its naturalization. Subsumed within the environmental interface of capital and technology (Hörl 2017), mediation is subsequently desocialized and depoliticized.<br>\r\nHowever, without collective figurations, there is no possibility of common horizons, and our capacity to bring about democratic and inclusive transformations of our cities and territories falters. In the SNSF project Infrastructural Baukultur, ALICE (Atelier de la Conception de l'Espace) is exploring ways to leverage the constructed nature of all representations in the co-design of our cities. As part of this project, the aim of this two-day course is to focus on the theoretical and historical frameworks of this question.<br>\r\nDuring the 1980s, as the cultural and literary critic Fredric Jameson developed a spatial analysis of the historical stages of capitalism, he arrived (not uncritically) at the work of MIT urban theorist Kevin Lynch, particularly The Image of the City (1960). If Lynch had suggested that urban alienation was directly proportional to the impossibility of creating an (individual) mental image of the city, Jameson went further, contending that our \"incapacity to map socially (is) as crippling to political experience as the analogous incapacity to map spatially is for urban experience.\" From there, he went on to develop the idea of cognitive mapping as an aesthetic strategy, arguing that, even when the structural coordinates of individual and social life become unrepresentable, they can still find figures and figurations through which to express themselves in allegorical, i.e. distorted and symbolic, ways.<br>\r\nLater on, feminist scholars Donna Haraway and Rosi Braidotti described figurations as \"materialistic mappings of situated, i.e., embedded and embodied, social positions\" (Braidotti 2011), noting that even if \"figures pertain to graphic representation and visual forms in general, (they) do not have to be representational and mimetic, (...) they do have to be tropic, performative images that can be inhabited, condensed maps of contestable worlds. (…) The chip, seed, or gene is simultaneously literal and figurative. We inhabit and are inhabited by such figures that map universes of knowledge, practice and power\" (Haraway 1997). Departing from these premises and mirroring Jameson's journey, this time back into architecture and urban design, this course seeks to construct, historically and theoretically, the concept of figuration as an allegorical and material practice capable of mapping contestable and individually inaccessible realities, a tropic and political instrument that short circuits equivalences and unsettles certainties. From there, it will encourage a critical debate around a series of interrelated questions at the core of architectural practice and academia today.<br>\r\nHow does design research connect with the fields of architectural history, theory and practice? What challenges are posed to collective figuration by an unrepresentable capitalism, fragmented habitats, and infrastructured perceptions? Can a critical understanding of the abstract, ideological nature of operative representations help us repoliticize urban production? Can we trace alternative genealogies of architectural, urban, and landscape representation that reveal forms of agency and collectivity capable of overcoming the traps of immediacy? Can space, both as an abstraction and as a lived, grounded experience, become a translation device within inter-, intra-, and transdisciplinary processes?<br>\r\nTo this end, the course will begin with an introductory session that develops a common framework by articulating, both historically and conceptually, the notion of figuration and its role within design methods, in contrast to the operational visualizations of environmentality. This framework will orient the subsequent lectures and discussions with our four invited speakers:<br>\r\n<br>\r\n• <strong>Anna Kornbluh, </strong>Professor of English at University of Illinois Chicago and author of Immediacy: Or, The Style of Too Late Capitalism (2024), will offer us a critical reflection on the political consequences of our contemporary regime of aesthetic and technological immediacy.<br>\r\n• <strong>Marc Schoonderbeek</strong>, Associate Professor of Architecture and Head of the Borders and Territories research group at TU Delft, will discuss the multilayered role of representation within design research strategies.<br>\r\n• <strong>Marina Otero Verzier</strong>, architect and researcher, leading the Data Mourning Clinic at Columbia University GSAPP, will delve into the tension between digital custodianship and the unsustainable practices of the data storage industry through the lens of Tuvalu's digital twin.<br>\r\n• <strong>Ignacio Farías</strong>, Professor of Urban Anthropology, Director of the Georg Simmel Center for Urban Studies and Co-Director of the Stadtlabor for Multimodal Anthropology at Humboldt-Universität zu Berlin, will present his ongoing work on spatial figures within urban transformation processes.<br>\r\n<br>\r\nInterested participants are invited to submit, by October 9, a short abstract (max. 300 words) outlining their approach to the subject, which will be developed into a short essay during the seminar. Assessment for the course will be based on the essay, completion of the reading assignments, and active participation in the sessions. Selected essays will be published alongside contributions from the guest lecturers in an edited volume produced as part of the SNSF project <em>Infrastructural Baukultur</em>.",
            "image_description": "",
            "creation_date": "2026-09-14T16:52:01",
            "last_modification_date": "2026-09-29T13:55:55",
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            "link_url": "https://edu.epfl.ch/studyplan/fr/ecole_doctorale/architecture-et-sciences-de-la-ville/coursebook/collective-figurations-of-baukultur-AR-698",
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            "speaker": "<strong>Anna Kornbluh, Marc Schoonderbeek, Marina Otero Verzier and Ignacio Farías</strong> ",
            "organizer": "ALICE, Dieter Dietz y Lucía Jalón Oyarzun",
            "contact": "[email protected]",
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            "id": 72757,
            "title": "Measurement of the differential branching fraction of B -> K pi pi mu mu at LHCb",
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            "start_date": "2026-10-30",
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            "description": "<p>Thesis Directors: Prof. L. Shchutska, Prof. E. Graverini<br>\r\nPhysics doctoral program<br>\r\nThesis Nr. 11987<br>\r\n<br>\r\nTo take part in the public defense, please contact directly the speaker</p>",
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